Book

Proceedings of the Internation Conference on New Interfaces for Musical Expression
Editors: Baptiste Caramiaux, Koray Tahiroğlu, Rebecca Fiebrink, Atau Tanaka
Publishers: Goldsmiths University of London
ISSN: 2220-4792 (Print), 2220-4806 (Online), 2220-4814 (USB)
ISBN: 978-1-906897-29-­1 (Online)

All copyrights remain with the authors

Download The Proceedings BibTex

Program

Tuesday 1 July 9:45-11:00AM Session 1 – Musicianship, Practice-based Research

• NIME, Musicality and Practice-led Methods
  Owen Green
  University of Edinburgh
  [PDF]

• Hybrid Resonant Assemblages: Rethinking Instruments, Touch and Performance in New Interfaces for Musical Expression
  John Bowers¹ and Annika Haas^{2
  1}Culture Lab, School of Arts and Cultures, Newcastle University, ²Berlin University of the Arts
  [PDF]

• Examining the Perception of Liveness and Activity in Laptop Music: Listeners’ Inference about what the Performer is Doing from the Audio Alone
  Oliver Bown¹, Renick Bell², Adam Parkinson^{3
  1}University of Sydney, ²Tama Art University, ³Goldsmiths, University of London
  [PDF]

• Improvising with the Threnoscope: Integrating Code, Hardware, GUI, Network, and Graphic Scores
  Thor Magnusson
  University of Sussex
  [PDF]

Tuesday 1 July 11:30AM-1:00PM Session 2 – Collaborative Music Making

• Instrumenting the Interaction: Affective and Psychophysiological Features of Live Collaborative Musical Improvisation
  Evan Morgan, Hatice Gunes, Nick Bryan-Kinns
  Queen Mary University of London
  [PDF]

• Augmented Stage for Participatory Performances
  Dario Mazzanti¹, Victor Zappi², Darwin Caldwell¹, Andrea Brogni^{3
  1}Istituto Italiano di Tecnologia, ²Queen Mary University of London, ³DreamsLab – Scuola Normale Superiore
  [PDF]

• Touch Screen Collaborative Music: Designing NIME for Older People with Dementia
  Stu Favilla¹ and Sonja Pedell^{2
  1}Bent Leather Band, Swinburne University, ²Swinburne University
  [PDF]

• SoundXY4: Supporting Tabletop Collaboration and Awareness with Ambisonics Spatialisation
  Anna Xambó¹, Gerard Roma², Robin Laney³, Chris Dobbyn³, Sergi Jordà^{2
  1}The Open University / Institute of Education, ²Universitat Pompeu Fabra, ³The Open University
  [PDF]

• Experio: a Design for Novel Audience Participation in Club Settings
  Bastiaan van Hout, Luca Giacolini, Bart Hengeveld, Mathias Funk, Joep Frens
  Eindhoven University of Technology
  [PDF]

• TreeQuencer: Collaborative Rhythm Sequencing – A Comparative Study
  Niklas Klügel, Gerhard Hagerer, Georg Groh
  Technische Universität München
  [PDF]

Tuesday 1 July 2:00PM-3:00PM Session 3 – Sensing and Augmented Instruments

• Low-Latency Audio Pitch Tracking: A Multi-Modal Sensor-Assisted Approach
  Laurel Pardue, Dongjuan Nian, Christopher Harte, Andrew McPherson
  Queen Mary University of London
  [PDF]

• The Actuated guitar: Implementation and user test on children with Hemiplegia
  Jeppe Larsen, Dan Overholt, Thomas Moeslund
  Aalborg University
  [PDF]

• Visualizing Song Structure on Timecode Vinyls
  Florian Heller and Jan Borchers
  RWTH Aachen University
  [PDF]

• Optical Measurement of Acoustic Drum Strike Locations
  Janis Sokolovskis¹ and Andrew McPherson^{2
  1}, ²Queen Mary University of London
  [PDF]

• Techniques in Swept Frequency Capacitive Sensing: An Open Source Approach
  Colin Honigman¹, Jordan Hochenbaum², Ajay Kapur^{3
  1}, ²California Institute of the Arts, ³California Institute of the Arts, Victoria University of Wellington
  [PDF]

Tuesday 1 July 3:00PM-4:15PM Session 4 – Demos

• 16-CdS: A Surface Controller for the Simultaneous Manipulation of Multiple Analog Components
  Carlos Dominguez
  Dartmouth Digital Musics
  [PDF]

• B.O.M.B. – Beat Of Magic Box -: Stand-Alone Synthesizer Using Wireless Synchronization System For Musical Session and Performance
  Yoshihito Nakanishi¹, Seiichiro Matsumura², Chuichi Arakawa^{3
  1}Graduate School of Interdisciplinary Information Studies, The Univ. of Tokyo, ²School of Design, Tokyo University of Technology, ³Graduate School of Engineering, The University of Tokyo
  [PDF]

• Engravings for Prepared Snare Drum, iPad, and Computer
  Timothy Polashek¹ and Brad Meyer^{2
  1}Transylvania University, ²Stephen F. Austin State University, School of Music
  [PDF]

• Radear: A Tangible Spinning Music Sequencer
  Daniel Gábana Arellano and Andrew McPherson
  Queen Mary University of London
  [PDF]

• Rule-Based Performative Synthesis of Sung Syllables
  Lionel Feugère and Christophe d’Alessandro
  LIMSI-CNRS
  [PDF]

• The Well-Sequenced Synthesizer
  Luisa Pereira Hors
  ITP – NYU
  [PDF]

Tuesday 1 July 3:00PM-4:15PM Session 4 – Posters

• A Gesture Detection with Guitar Pickup and Earphones
  Sangwon Suh¹, Jeong-seob Lee², Woon Seung Yeo^{3
  1}, ²GSCT, KAIST, ³KAIST
  [PDF]

• A Max/MSP Approach for Incorporating Digital Music via Laptops in Live Performances of Music Bands
  Yehiel Amo¹, Gil Zissu², Shaltiel Eloul³, Eran Shlomi¹, Dima Schukin¹, Almog Kalifa^{4
  1}SNU, ²Uni. of the arts, UK, ³Oxford Uni./BIU, ⁴BGU
  [PDF]

• A Real Time Common Chord Progression Guide on the Smartphone for Jamming Pop Song on the Music Keyboard
  Simon Lui
  Singapore University of Technology and Design
  [PDF]

• An Exploration of Peg Solitaire as a Compositional Tool
  Kirsty Keatch
  University of Edinburgh
  [PDF]

• Auraglyph: Handwritten Computer Music Composition and Design
  Spencer Salazar and Ge Wang
  Stanford University
  [PDF]

• Body As Instrument: Performing with Gestural Interfaces
  Mary Mainsbridge and Kirsty Beilharz
  University of Technology, Sydney
  [PDF]

• Circle Squared and Circle Keys – Performing on and with an Unstable Live Algorithm for the Disklavier
  Palle Dahlstedt
  University of Gothenburg
  [PDF]

• Composing Embodied Sonic Play Experiences: Towards Acoustic Feedback Ecology
  Akito van Troyer
  MIT Media Lab
  [PDF]

• Design & Evaluation of an Accessible Hybrid Violin Platform
  Dan Overholt¹ and Steven Gelineck^{2
  1}Aalborg University Copenhagen, ²Aalborg University Copenhagen, Dep. of Architecture, Design and Media Technology
  [PDF]

• Dynamical Interactions with Electronic Instruments
  Tom Mudd, Simon Holland, Paul Mulholland, Nick Dalton
  The Open University
  [PDF]

• eMersion | Sensor-controlled Electronic Music Modules & Digital Data Workstation
  Chet Udell¹ and James Paul Sain^{2
  1}University of Oregon, ²University of Florida
  [PDF]

• FingerSynth: Wearable Transducers for Exploring the Environment and Playing Music Everywhere
  Gershon Dublon and Joseph A. Paradiso
  MIT Media Lab
  [PDF]

• Hand and Finger Motion-Controlled Audio Mixing Interface
  Jarrod Ratcliffe
  New York University
  [PDF]

• How to Make Embedded Acoustic Instruments
  Edgar Berdahl
  Louisiana State University
  [PDF]

• Interactive Parallax Scrolling Score Interface for Composed Networked Improvisation
  Rob Canning
  Goldsmiths College & Bournemouth University
  [PDF]

• Mobile Device Percussion Parade
  Jeff Snyder and Avneesh Sarwate
  Princeton University
  [PDF]

• Musical Interface to Audiovisual Corpora of Arbitrary Instruments
  Joachim Goßmann¹ and Max Neupert^{2
  1}DTS, ²Bauhaus-Universität Weimar / Yeungnam University Gyeongsan, Korea
  [PDF]

• New Open-Source Interfaces for Group Based Participatory Performance of Live Electronic Music
  Timothy J Barraclough¹, Jim Murphy², Ajay Kapur^{1
  1}, ²Victoria University of Wellington
  [PDF]

• Orphion: A Gestural Multi-Touch Instrument for the iPad
  Sebastian Trump¹ and Jamie Bullock^{2
  1}Hochschule für Musik Nürnberg, ²Birmingham Conservatoire
  [PDF]

• Pd-L2Ork Raspberry Pi Toolkit as a Comprehensive Arduino Alternative in K-12 and Production Scenarios
  Ivica Bukvic
  Virginia Tech
  [PDF]

• PiaF: A Tool for Augmented Piano Performance Using Gesture Variation Following
  Alejandro Van Zandt-Escobar¹, Baptiste Caramiaux², Atau Tanaka^{2
  1}, ²Goldsmiths, University of London
  [PDF]

• Pitch Canvas: Touchscreen Based Mobile Music Instrument
  Bradley Strylowski¹, Jesse Allison², Jesse Guessford^{1
  1}George Mason University, ²Louisiana State University
  [PDF]

• Reappropriating Museum Collections: Performing Geology Specimens and Meterology Data as New Instruments for Musical Expression
  John Bowers and Tim Shaw
  Culture Lab, School of Arts and Cultures, Newcastle University
  [PDF]

• Rub Synth : A Study of Implementing Intentional Physical Difficulty Into Touch Screen Music Controllers
  Ozan SARIER
  ISTANBUL TECHNICAL UNIVERSITY
  [PDF]

• Sound Analyser: A Plug-In for Real-Time Audio Analysis in Live Performances and Installations
  Adam Stark
  Independent
  [PDF]

• Tangle: a Flexible Framework for Performance with Advanced Robotic Musical Instruments
  Paul Mathews¹, Ness Morris², Jim Murphy³, Ajay Kapur⁴, Dale Carnegie^{1
  1}Victoria University of Wellington, ²California Institute of the Arts, ³Victoria University of Wellington / New Zealand School of Music, ⁴California Institute of the Arts, Victoria University of Wellington
  [PDF]

• The Politics of Laptop Ensembles: A Survey of 160 Laptop Ensembles and their Organisational Structures
  Shelly Knotts¹ and Nick Collins^{2
  1}Durham University, ²University of Durham
  [PDF]

Tuesday 1 July 4:30PM-6:00PM Session 5 – Motion and Gesture

• Dynamics in Music Conducting: A Computational Comparative Study Among Subjects
  Alvaro Sarasua and Enric Guaus
  Escola Superior de Musica de Catalunya
  [PDF]

• Triggering Sounds from Discrete Air Gestures: What Movement Feature Has the Best Timing?
  Luke Dahl
  CCRMA, Stanford University
  [PDF]

• The Composing Hand: Musical Creation with Leap Motion and the BigBang Rubette
  Daniel Tormoen, Florian Thalmann, Guerino Mazzola
  University of Minnesota
  [PDF]

• Harmonic Motion: A Toolkit for Processing Gestural Data for Interactive Sound
  Tim Murray-Browne and Mark Plumbley
  Queen Mary University of London
  [PDF]

• To gesture or Not? An Analysis of Terminology in NIME Proceedings 2001–2013
  Alexander Refsum Jensenius
  University of Oslo
  [PDF]

Wednesday 2 July 9:30AM-11:00AM Session 6 – Musical Interaction Design

• Manhattan: End-User Programming for Music
  Chris Nash
  University of the West of England
  [PDF]

• The Divergent Interface: Supporting Creative Exploration of Parameter Spaces
  Robert Tubb and Simon Dixon
  Queen Mary University of London
  [PDF]

• A Methodological Framework for Teaching, Evaluating and Informing NIME Design with a Focus on Mapping and Expressiveness
  Sergi Jordà and Sebastian Mealla
  Universitat Pompeu Fabra
  [PDF]

• Rapid Creation and Publication of Digital Musical Instruments
  Charlie Roberts¹, Matthew Wright², JoAnn Kuchera-Morin³, Tobias Höllerer^{4
  1}UC Santa Barbara, ²UCSB, ³University of California, Santa Barbara, ⁴University of California at Santa Barbara
  [PDF]

• TrAP: An Interactive System to Generate Valid Raga Phrases from Sound-Tracings
  Udit Roy, Tejaswinee Kelkar, Bipin Indurkhya
  IIIT Hyderabad
  [PDF]

• Rich Contacts: Corpus-Based Convolution of Contact Interaction Sound for Enhanced Musical Expression
  Diemo Schwarz¹, Pierre Alexandre Tremblay², Alex Harker^{2
  1}Ircam, ²CERENEM
  [PDF]

Wednesday 2 July 11:30AM-1:00PM Session 7 – Networked, Wireless Systems

• Making the Most of Wi-Fi: Optimisations for Robust Wireless Live Music Performance
  Thomas Mitchell¹, Sebastian Madgwick², Simon Rankine², Geoffrey Hilton², Adrian Freed³, Andrew Nix^{2
  1}University of the West of England, Bristol, UK, ²University of Bristol, Bristol, UK, ³CNMAT UC Berkeley
  [PDF]

• Simplified Expressive Mobile Development with NexusUI, NexusUp, and NexusDrop
  Benjamin Taylor¹, Jesse Allison², William Conlin², Yemin Oh², Daniel Holmes^{2
  1}, ²Louisiana State University
  [PDF]

• Communication, Control, and State Sharing in Collaborative Live Coding
  Sang Won Lee and Georg Essl
  University of Michigan
  [PDF]

• A Simple Architecture for Server-based (Indoor) Audio Walks
  Thomas Resch¹ and Matthias Krebs^{2
  1}Research Fellow, University of Music Basel, ²Research Fellow, University of Applied Sciences Northwestern Switzerland
  [PDF]

• Ping-Pong: Musically Discovering Locations
  Hyung Suk Kim, Jorge Herrera, Ge Wang
  CCRMA
  [PDF]

• CloudOrch: A Portable SoundCard in the Cloud
  Abram Hindle
  University of Alberta
  [PDF]

Wednesday 2 July 3:30PM-4:30PM Session 8 – Machine Learning Applied

• AudioQuilt: 2D Arrangements of Audio Samples using Metric Learning and Kernelized Sorting
  Ohad Fried, Zeyu Jin, Reid Oda, Adam Finkelstein
  Princeton University
  [PDF]

• Probabilistic Models for Designing Motion and Sound Relationships
  Jules Françoise¹, Norbert Schnell¹, Riccardo Borghesi¹, Frédéric Bevilacqua^{2
  1}IRCAM, ²
  [PDF]

• Musical Instrument Mapping Design with Echo State Networks
  Chris Kiefer
  Goldsmiths College, University of London
  [PDF]

• Funky Sole Music: Gait Recognition and Adaptive Mapping
  Kristian Nymoen, Sichao Song, Yngve Hafting, Jim Torresen
  University of Oslo
  [PDF]

Wednesday 2 July 4:30PM-5:15PM Session 9 – Demos

demos presented in this session are from papers.

Wednesday 2 July 4:30PM-5:15PM Session 9 – Posters

• Separation: Short Range Repulsion. Implementation of an Automated Aesthetic Synchronization System for a Dance Performance.
  Michael Krzyzaniak¹, Julie Akerly², Matthew Mosher², Muharrem Yildirim², Garth Paine^{2
  1}Arizona State University, School of Arts, Media + Engineering, ²Arizona State University
  [PDF]

• The Cave of Sounds: An Interactive Installation Exploring How We Create Music Together
  Tim Murray-Browne¹, Dom Aversano², Susanna Garcia², Wallace Hobbes², Daniel Lopez², Tadeo Sendon², Panagiotis Tigas², Kacper Ziemianin², Duncan Chapman^{3
  1}Queen Mary University of London, ²Music Hackspace, ³Sound and Music
  [PDF]

• OSC-Namespace and OSC-State: Schemata for Describing the Namespace and State of OSC-Enabled Systems
  Ilias Bergstrom¹ and Joan Llobera^{2
  1}Fondation Agalma, Rue Adrien-Lachenal 18, CH-1207 Genève – EventLAB, Universitat de Barcelona, Campus de Mundet – Edifici Teatre, Passeig de la Vall d’Hebron 171, 08035 Barcelona, ²Fondation Agalma, Rue Adrien-Lachenal 18, CH-1207 Genève, Switzerland – Immersive Interaction Group, École Polytechnique Fédérale de Lausanne, EPFL-IC-IIG, Station 14, CH-1015, Lausanne, Switzerland
  [PDF]

• Chronicles of a Robotic Musical Companion
  Mason Bretan and Gil Weinberg
  Georgia Institute of Technology
  [PDF]

• Structure-Borne Sound and Aurally Active Spaces
  Otso Lähdeoja
  University of the Arts, Helsinki
  [PDF]

• TouchNoise: A Particle-based Multitouch Noise Modulation Interface
  Axel Berndt, Nadia Al-Kassab, Raimund Dachselt
  Technische Universität Dresden
  [PDF]

• Designing Sound Collaboratively – Perceptually Motivated Audio Synthesis
  Niklas Klügel¹, Timo Becker², Georg Groh^{1
  1}Technische Universität München, ²Ludwig-Maximilians-Universität München
  [PDF]

• Repurposing Video Game Software for Musical Expression: A Perceptual Approach
  Adriana Sa
  Goldsmiths, University of London, Dep. Computing, EAVI
  [PDF]

• The Development Of Physical Spatial Controllers
  Bridget Johnson¹, Michael Norris², Ajay Kapur^{3
  1}Victoria University of Wellington, ²New Zealand School of Music, ³California Institute of the Arts
  [PDF]

• Evaluating the Performance of a New Gestural Instrument Within an Ensemble
  Alon Ilsar¹, Mark Havryliv², Andrew Johnston^{3
  1}University of Technology, Sydney, ²The Australian Institute of Music, ³University of Technology Sydney
  [PDF]

• Extending the Nexus Data Exchange Format (NDEF) Specification
  Lawrence Fyfe¹, Adam Tindale², Sheelagh Carpendale^{1
  1}University of Calgary, ²OCAD University
  [PDF]

• Operating Sound Parameters Using Markov Model and Bayesian Filters in Automated Music Performance
  Fumito Hashimoto and Motoki Miura
  Kyushu Institute of Technology
  [PDF]

• The Talking Guitar: Headstock Tracking and Mapping Strategies
  Liam Donovan¹ and Andrew McPherson^{2
  1}Queen Mary, University of London, ²Queen Mary University of London
  [PDF]

• Algorave: A Survey of the History, Aesthetics and Technology of Live Performance of Algorithmic Electronic Dance Music
  Nick Collins¹ and Alex McLean^{2
  1}University of Durham, ²University of Leeds
  [PDF]

• Design and Evaluation of a Gesture Controlled Singing Voice Installation
  Cornelius Poepel¹, Jochen Feitsch², Marco Strobel², Christian Geiger^{1
  1}, ²FH Düsseldorf
  [PDF]

• SynthAssist: Querying an Audio Synthesizer by Vocal Imitation
  Mark Cartwright and Bryan Pardo
  Northwestern University
  [PDF]

• TAPIR Sound Tag: An Enhanced Sonic Communication Framework for Audience Participatory Performance
  Jimin Jeon¹, Gunho Chae², Edward Jangwon Lee², Woon Seung Yeo^{2
  1}Korea Advanced Institute of Science and Technology, ²KAIST
  [PDF]

• Lessons Learned in Exploring the Leap Motion(TM) Sensor for Gesture-based Instrument Design
  Jihyun Han and Nicolas Gold
  University College London
  [PDF]

• Twkyr: a Multitouch Waveform Looper
  Karl Yerkes¹ and Matthew Wright^{2
  1}Media Arts and Technology Program at University of California, Santa Barbara, ²UCSB
  [PDF]

• Quick Live Coding Collaboration In The Web Browser
  Chad McKinney
  University of Sussex
  [PDF]

• endo/exo – Making Art and Music with Distributed Computing
  Jiffer Harriman¹, Michael Theodore¹, Nikolaus Correll¹, Hunter Ewen^{2
  1}University of Colorado, ²University of Colorado at Boulder
  [PDF]

• A Material Computation Perspective on Audio Mosaicing and Gestural Conditioning
  Navid Navab¹, Doug Van Nort², Sha Xin Wei^{2
  1}Topological Media Lab, Concordia University, ²Concordia University
  [PDF]

• The Siren Organ
  Regina Collecchia, Dan Somen, Kevin McElroy
  Stanford University
  [PDF]

• Internally Actuated Drums for Expressive Performance
  David Rector and Spencer Topel
  Dartmouth College
  [PDF]

• AlphaSphere – from Prototype to Product
  Adam Place¹, Liam Lacey², Thomas Mitchell^{3
  1}, ²nu desine, ³University of the West of England, Bristol, UK
  [PDF]

• YouHero – Making an Expressive Concert Instrument from the GuitarHero Controller
  Palle Dahlstedt¹, Patrik Karlsson², Katarina Widell³, Tony Blomdahl^{4
  1}University of Gothenburg, ²freelance guitarist and lutenist, duo EN.D.E., ³freelance musician, duo EN.D.E., ⁴Geiger Music
  [PDF]

• WIJAM: A Mobile Collaborative Improvisation Platform under Master-players Paradigm
  Jun-qi Deng¹, Francis Chi Moon Lau¹, Ho-Cheung Ng¹, Yu-Kwong Kwok¹, Hung-Kwan Chen¹, Yu-heng Liu^{2
  1}The University of Hong Kong, ²New Weekly
  [PDF]

• You’ll Never Walk Alone: Composing Location-Based Soundtracks
  Adrian Hazzard, Steve Benford, Gary Burnett
  University of Nottingham
  [PDF]

Thursday 3 July 9:30AM-11:00AM Session 10 – Audio Applications and Installations

• A Morphological Analysis of Audio-Objects and their Control Methods for 3D Audio
  Justin Mathew¹, Stéphane Huot², Alan Blum^{3
  1}Université Paris-Sud & CNRS (LRI), DMS-Cinema, ²Université Paris-Sud & CNRS (LRI), Inria, ³ENS Louis Lumière
  [PDF]

• Evaluating the Perceived Similarity Between Audio-Visual Features Using Corpus-Based Concatenative Synthesis
  Augoustinos Tsiros
  Edinburgh Napier University
  [PDF]

• CollideFx: A Physics-Based Audio Effects Processor
  Chet Gnegy
  Stanford University
  [PDF]

• Vocal Vibrations: A Multisensory Experience of the Voice
  Charles Holbrow, Elena Jessop, Rebecca Kleinberger
  MIT Media Laboratory
  [PDF]

• Timbre morphing: near real-time hybrid synthesis in a musical installation
  Duncan Williams¹, Peter Randall-Page², Eduardo Miranda^{3
  1}, ²P.O., ³ICCMR
  [PDF]

• Acoustic Localisation as an Alternative to Positioning Principles in Applications presented at NIME 2001-2013
  Dominik Schlienger¹ and Sakari Tervo^{2
  1}Sibelius Academy, ²Aalto University
  [PDF]

Thursday 3 July 11:30AM-1:00PM Session 11 – Interfaces: Development, Deployment, Evaluation

• Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments
  Ian Hattwick, Joseph Malloch, Marcelo Wanderley
  McGill University
  [PDF]

• Constraining Movement as a Basis for DMI Design and Performance.
  Nicholas Ward and Giuseppe Torre
  University of Limerick
  [PDF]

• Dimensionality and Appropriation in Digital Musical Instrument Design
  Victor Zappi and Andrew McPherson
  Queen Mary University of London
  [PDF]

• The Prospects For Eye-Controlled Musical Performance
  Anthony Hornof
  University of Oregon
  [PDF]

• Musical Interface Design: An Experience-oriented Framework
  Fabio Morreale¹, Antonella De Angeli¹, Sile O’Modhrain^{2
  1}University of Trento, ²University of Michigan
  [PDF]

Thursday 3 July 2:00PM-3:00PM Session 12 – Robotic and Mechatronic Systems

• Rasper: a Mechatronic Noise-Intoner
  Mo Zareei¹, Ajay Kapur², Dale A. Carnegie^{3
  1}Victoria University of Wellington, New Zealand School of Music, ², ³Victoria University of Wellington, School of Engineering and Computer Science
  [PDF]

• The Robotic Taishogoto: A New Plug ‘n Play Desktop Performance Instrument
  Jason Long
  Tokyo University of the Arts
  [PDF]

• Imitation Framework for Percussion
  Ozgur Izmirli¹ and Jake Faris^{2
  1}, ²Connecticut College
  [PDF]

• Distributed Control in a Mechatronic Musical Instrument
  Michael Gurevich
  University of Michigan
  [PDF]

• Rhythm Apparatus on Overhead
  Christian Faubel
  academy of media arts cologne
  [PDF]

Thursday 3 July 3:00PM-4:15PM Session 13 – Demos

• 3DinMotion – A Mocap Based Interface for Real Time Visualisation and Sonification of Multi-User Interactions
  Alain Renaud¹, Caecilia Charbonnier², Sylvain Chagué^{3
  1}Bournemouth University, ²Artnanim, ³Artanim
  [PDF]

• Soundbeam: A Platform for Sonyfing Web Tracking
  Charles Hutchins¹, Holger Ballweg², Shelly Knotts³, Jonas Hummel⁴, Antonio Roberts^{2
  1}University of Kent, ²BiLE, ³Durham University, ⁴Manchester Metropolitan University
  [PDF]

• Wubbles: A Collaborative Ephemeral Musical Instrument
  Florent Berthaut and Jarrod Knibbe
  University of Bristol
  [PDF]

Thursday 3 July 3:00PM-4:15PM Session 13 – Posters

• CHIMAERA – The Poly-Magneto-Phonic Theremin – An Expressive Touch-Less Hall-Effect Sensor Array
  Hanspeter Portner
  Open Music Kontrollers
  [PDF]

• Collaborative Live-Coding with an Immersive Instrument
  Graham Wakefield¹, Charlie Roberts², Matthew Wright³, Timothy Wood⁴, Karl Yerkes^{5
  1}KAIST, ²UC Santa Barbara, ³UCSB, ⁴University of California Santa Barbara, ⁵Media Arts and Technology Program at University of California, Santa Barbara
  [PDF]

• Composing for DMIs – Entoa, a dedicate piece for Intonaspacio
  Clayton Mamedes¹, Mailis Rodrigues², Marcelo M. Wanderley³, Jônatas Manzolli⁴, Denise H. L. Garcia⁵, Paulo Ferreira-Lopes^{6
  1}NICS-CIDDIC Unicamp, CIRMMT-IDMIL, ²CITAR UCP, CIRMMT-IDMIL, ³CIRMMT-IDMIL, ⁴NICS Unicamp, ⁵CIDDIC Unicamp, ⁶CITAR UCP
  [PDF]

• Conducting Collective Instruments : A Case Study
  Josep Comajuncosas¹ and Enric Guaus^{2
  1}, ²Escola Superior de Musica de Catalunya
  [PDF]

• Conductive Music: Teaching Innovative Interface Design and Composition Techniques with Open-Source Hardware
  Emily Robertson¹ and Enrico Bertelli^{2
  1}Queen’s University Belfast, ²Independent Researcher
  [PDF]

• Controlling Physically Based Virtual Musical Instruments Using The Gloves
  Stefania Serafin¹, Stefano Trento¹, Francesco Grani¹, Hannah Perner-Wilson², Seb Madgwick³, Tom Mitchell^{4
  1}Aalborg University Copenhagen, ²Plusea, ³X-IO, ⁴Bristol University
  [PDF]

• Designing Mappings for the Sponge: Towards Spongistic Music
  Martin Marier
  Université de Montréal
  [PDF]

• Designing Sound for Recreation and Well-Being
  Anders-Petter Andersson, Birgitta Cappelen, Fredrik Olofsson
  The Oslo School of Architecture and Design
  [PDF]

• Distributing Mobile Music Applications for Audience Participation Using Mobile Ad-hoc Network (MANET)
  Sang Won Lee, Georg Essl, Z. Morley Mao
  University of Michigan
  [PDF]

• El-Lamellophone – A Low-cost, DIY, Open Framework for Acoustic Lemellophone Based Hyperinstruments
  Shawn Trail¹, Duncan MacConnell¹, Leo Jenkins¹, Jeff Snyder², George Tzanetakis¹, Peter Driessen^{1
  1}University of Victoria, ²Princeton University
  [PDF]

• Improvasher: A Real-Time Mashup System for Live Musical Input
  Matthew Davies¹, Adam Stark², Fabien Gouyon¹, Masataka Goto^{3
  1}INESC TEC, ²Independent, ³National Institute of Advanced Industrial Science and Technology (AIST)
  [PDF]

• In A State: Live Emotion Detection and Visualisation for Music Performance
  Adinda van ‘t Klooster¹ and Nick Collins^{2
  1}, ²University of Durham
  [PDF]

• Musical Composition by Regressional Mapping of Physiological Responses to Acoustic Features
  D. J. Valtteri Wikström
  Aalto University
  [PDF]

• A Notation System for the Karlax Controller
  Tom Mays¹ and Francis Faber^{2
  1}Académie Supérieure de Musique de Strasbourg, ²La Grande Fabrique
  [PDF]

• Polus: The Design and Development of a New, Mechanically Bowed String Instrument Ensemble
  Blake Johnston¹, Henry Dengate Thrush¹, Ajay Kapur², Jim Murphy¹, Tane Moleta^{1
  1}Victoria University of Wellington, ²
  [PDF]

• Reunion2012: A Novel Interface for Sound Producing Actions Through the Game of Chess
  Anders Tveit¹, Hans Wilmers¹, Notto Thelle¹, Magnus Bugge¹, Thom Johansen¹, Eskil Muan Sæther^{2
  1}Norwegian centre for technology in music and the arts, ²SkRR
  [PDF]

• Robot: Tune Yourself! Automatic Tuning for Musical Robotics
  Jim Murphy¹, Paul Mathews¹, Ajay Kapur², Dale Carnegie^{1
  1}Victoria University of Wellington, ²California Institute of the Arts
  [PDF]

• Sketch-Based Musical Composition and Performance
  Haojing Diao¹, Yanchao Zhou², Christopher Andrew Harte¹, Nick Bryan-Kinns^{1
  1}Queen Mary University of London, ²Queen Mary University of London – Beijing University of Posts and Telecommunications
  [PDF]

• Smartphone-based Music Conducting
  Yang Kyu Lim¹ and Woon Seung Yeo^{2
  1}, ²Division of Digital Media, Ewha Womans University
  [PDF]

• SOUND TOSSING Audio Devices in the Context of Street Art
  Reinhard Gupfinger and Martin Kaltenbrunner
  Kunstuniversität Linz, Interface Culture, Austria
  [PDF]

• Gesture and Embodied Metaphor in Spatial Music Performance Systems Design.
  Ricky Graham¹ and Brian Bridges^{2
  1}Stevens Institute of Technology, ²University of Ulster
  [PDF]

• The Birl: An Electronic Wind Instrument Based on an Artificial Neural Network Parameter Mapping Structure
  Jeff Snyder and Danny Ryan
  Princeton University
  [PDF]

• The Manipuller II: Strings within a Force Sensing Ring
  Adrián Barenca¹ and Milos Corak^{2
  1}Music Technologist, ²Software Developer
  [PDF]

• The Space Between Us. A Live Performance with Musical Score Generated via Emotional Levels Measured in EEG of One Performer and an Audience Member
  Joel Eaton¹, Weiwei Jin², Eduardo Miranda^{1
  1}University of Plymouth, ²De Montfort University
  [PDF]

• Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis
  Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo Wanderley, Philippe Leroux, Fabrice Marandola
  McGill University
  [PDF]

• Use of Body Motion to Enhance Traditional Musical Instruments
  Federico Visi¹, Rodrigo Schramm², Eduardo Miranda^{1
  1}Plymouth University, ²UFRGS
  [PDF]

• Visualizing Gestures in the Control of a Digital Musical Instrument
  Olivier Perrotin¹ and Christophe d’Alessandro^{2
  1}LIMSI-CNRS – Université Paris Sud, ²LIMSI-CNRS
  [PDF]

Thursday 3 July 4:30PM-5:30PM Session 14 – Tangible Interaction and Interfaces

• Tangible Scores: Shaping the Inherent Instrument Score
  Enrique Tomás¹ and Martin Kaltenbrunner^{2
  1}Interface Culture Lab – Kunstuniversität Linz, ²Kunstuniversität Linz
  [PDF]

• Striso, a Compact Expressive Instrument Based on a New Isomorphic Note Layout
  Piers Titus van der Torren
  Independent researcher
  [PDF]

• The OWL programmable stage effects pedal: Revising the concept of the on-stage computer for live music performance
  Thomas Webster¹, Guillaume LeNost², Martin Klang^{3
  1}, ²lionfish audio, ³Rebel Technology
  [PDF]

• SPINE: A TUI Toolkit and Physical Computing Hybrid
  Aristotelis Hadjakos and Simon Waloschek
  Center of Music and Film Informatics, HfM Detmold
  [PDF]

• Andante: Walking Figures on the Piano Keyboard to Visualize Musical Motion
  Xiao Xiao, Basheer Tome, Hiroshi Ishii
  MIT Media Lab
  [PDF]