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VOTE for Best Oral Paper Presentation
VOTE for Best Poster Presentation
Sala dos Sons & Centro Cultural, UFRGS
Available from June 3rd through June 6th
MARKOV MAGIC CIRCLE
Sala dos Sons, UFRGS
Sofy Yuditskaya
Music Dept, NYU/GSAS, NYC, New York, United States
TOUCHING AFFECTIVE
Hall 312, Centro Cultural, UFRGS
Hannah E. Wolfe
Media Arts and Technology, University of California, Santa Barbara, California, United States
CHOWNDOLO
Room 312, Centro Cultural, UFRGS
Giacomo Lepri
Centre for Digital Music, Queen Mary University, London, United Kingdom
Alessia Milo
Queen Mary University of London, London, United Kingdom
Fabio Morreale
Creative Arts and Industries, University of Auckland, Auckland, New Zealand
MATERIA ANIMATA
Room 308, Centro Cultural, UFRGS
Ricardo Scholz
Informatics Centre, Universidade Federal de Pernambuco, Recife/PE, Brazil
Iuru Brainer Araújo Tregne
UM Coletivo, Recife/PE, Brazil
GUAÍBA’S SOUND ISLAND
Hall 308, Centro Cultural, UFRGS
Camila Proto
Federal University of Rio Grande do Sul, Porto Alegre/RS, Brazil
SOMACOUSTICS
Room 304, Centro Cultural, UFRGS
Maros Suran Bomba
Aalborg University, Aalborg, Denmark
Palle Dahlstedt
Dept. of Communication, Aalborg University, Aalborg, Denmark
Dept. of Computer Science and Engineering, University of Gothenburg, Gothenburg, Sweden
ACTING VOICES – MADRIGALE A SEI VASI
Room 305, Centro Cultural, UFRGS
Paulo Vitor Itaboraí
Universidade de São Paulo, São Paulo, Brazil
Alex Buck
CalArts, Santa Clarita, California, United States
EMBODIED SONIC MEDITATION: RESONANCE OF THE HEART
Jiayue Cecilia Wu
University of Colorado, Denver, Colorado, United States
Donghao Ren
University of California, Santa Barbara, California, United States
June 3rd
9:00 - 18:30
Centro Cultural, UFRGS
NIME PRIMER WORKSHOP
Room 309
9:00 - 11:30
Sign up via the registration portal.
The NIME conference can be an overwhelming experience for new attendees. Some may find it difficult to make sense of the vast array of research and related topics presented during the busy program of talks and posters, or fully appreciate the significance of the assorted demonstrations and concert events. This workshop consists of a half-day tutorial, which is intended to provide a general introduction to the concepts, theory and practices involved in designing interactive systems for music creation and performance. The target audience for this workshop consists of newcomers to the field who would like to start their own research projects, as well as interested students, people coming from other fields, and members of the public with a general interest in the potential of NIME. The workshop provides an entry point to the concepts, theory and practice of digital musical interface design by drawing on case studies from prior years of the conference. Past versions of this workshop have been found to be helpful by participants, in order to increase their understanding and appreciation of NIME.
Dan Overholt
Sound and Music Computing, Aalborg University, Copenhagen, Denmark
Stefania Serafin
Department of Architecture, Design and Media Technology, Aarlborg University, Copenhagen, Denmark
Laurel Pardue
Department of Architecture, Design and Media Technology, Aarlborg University, Copenhagen, Denmark
COSMO WORKSHOP: INTRODUCTION TO EFFECT PROCESSING WITH CSOUND AND THE COSMO-DSP LIBRARY
Room 211
9:00 - 13:00
Sign up via the registration portal.
In this workshop, participants will get a basic introduction to Csound and how they can use the cosmo-dsp library to quickly build simple and more complex effect processing patches. The modular design of the library makes it very quick to set up a complex patch, while at the same time keeping it open for further customisation. Since Csound is integrable in a multitude of platforms (eg. Win, Linux, Mac, IOS, Android, Bela, Intel Galileo) and also into other programming languages (python, c/ c++, Unity, web, VST/AU (Cabbage), Max/MSP, and more), platforms can easily be interchanged when using Csound based set ups. To top it off, Csound has a guarantee for backwards compatibility (code from 1986 still runs on the latest version from late 2018), so your patches are easy to move in both time and space!
Video: https://vimeo.com/183101272
Webpage: http://cosmoproject.github.io
Alex Hofmann
Dept. of Music Acoustics, University of Music and Performing Arts, Vienna, Austria
Austrian Academy of Sciences, Vienna, Austria
Bernt Isak Wærstad
Norwegian Academy of Music, Music Technology, Oslo, Norway
MAKING PREDICTIVE NIMES WITH NEURAL NETWORKS
Room 311
9:00 - 18:30
Sign up via the registration portal.
In this workshop, we'll apply predictive machine learning models to creative data and use them in interactive music applications. We will show you how to create and train neural networks and how to use our new toolkit for interactive musical prediction (IMPS). Join us to define new predictive NIME prototypes and future research directions!
The first half of the workshop will focus on recurrent neural networks (RNNs), deep learning models that can be used to generate sequences and mixture density networks (MDNs) that can creatively predict multivariate data. We will walk through the steps for training creative RNNs using live-coded demonstrations with Python code in Jupyter Notebooks.
The second half of the workshop will focus on the Interactive Musical Prediction System (IMP), an end-to-end solution for adding an MDRNN to a musical interface with communication over OSC. This system allows you to focus on defining new predictive NIMEs that can "fill in" parts of a musical performance or to “dream” new performances and accompaniments. Bring your laptop and NIME or try one of ours!
See the workshop website for more details: https://creativeprediction.xyz/nime/
Charles Patrick Martin
Research School of Computer Science, The Australian National University, Canberra, Australia
Jim Torresen
Department of Informatics, University of Oslo, Oslo, Norway
Tejaswinee Kelkar
Department of Musicology, University of Oslo, Oslo, Norway
OPEN RESEARCH STRATEGIES AND TOOLS IN THE NIME COMMUNITY
Room 309
Part 1 11:30 - 13:00
Part 2 14:30 - 16:00
Sign up via the registration portal.
This workshop is intended for discussing how we can develop more and better strategies and tools for opening up research processes and results within the NIME community.
The development of more openness in research has been in progress for a fairly long time, and has recently received a lot of more political attention through the Plan S initiative, The Declaration on Research Assessment (DORA), EU's Horizon Europe, and so on. The NIME community has been positive to openness since the beginning, but still has not been able to fully explore this within the community. We call for a workshop to discuss how we can move forwards in making the NIME community (even) more open throughout all its activities.
Alexander Refsum Jensenius
University of Oslo, Oslo, Norway
Andrew P. McPherson
Queen Mary University of London, London, United Kingdom
Anna Xambó
Norwegian University of Science and Technology, Trondheim, Norway
Dan Overholt
Aalborg University, Copenhagen, Denmark
Guillaume Pellerin
IRCAM, Paris, France
Ivica Ico Bukvic
Virginia Tech, Blacksburg, Virginia, United States
Rebecca Fiebrink
Goldsmiths University of London, London, United Kingdom
Rodrigo Schramm
Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil
ETHICS AT NIME
Room 309
16:00 - 18:30
Sign up via the registration portal.
This workshop is intended to discuss how we think about and handle research ethics at NIME conferences. A number of NIME papers involved studies on/with humans. Most of these are on volunteering adults, but there are also examples of studies with children, and with patients. We also see an interest in the community to carry out research on/with animals. NIME’s current ethical guidelines do not take these perspectives into account.
The Steering Committee therefore sees the need to develop better and more up-to-date ethical guidelines for the conference. This is to create an increased awareness about the needs for ethical considerations in the community, but also as guidelines for reviewers and conference chairs. NIME is proud of being a very heterogeneous community, covering people working in a large number of different scientific disciplines, artistic practices, as well as R&D in the industry. Needless to say, this breadth of perspectives also means that it is difficult to impose the same guidelines on all studies. NIME researchers also have to abide to a number of different regulations at institutional, regional, national, continental and international levels.
The workshop will consist of short introductions to some challenges faced when carrying out research on/with humans and animals, in both scientific and artistic contexts. This will be followed by group-based brainstorming and a final plenary discussion.
Alexander Refsum Jensenius
University of Oslo, Oslo, Norway
Rodrigo Schramm
Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil
Lamberto Coccioli
Royal Birmingham Conservatoire, Birmingham, UK
Clara Mancini
The Open University, Milton Keynes, UK
Michael J. Lyons
Ritsumeikan University, Kyoto, Japan
20:00
Salão de Atos, UFRGS
TROIS MACHINS DE LA GRÂCE AIMANTE (CORETET NO. 1)
Rob Hamilton
Rensselaer Polytechnic Institute, Troy, United States
iCONS
Rodrigo F. Cádiz
Pontifícia Universidad Catolica de Chile, Santiago, Chile
UNCERTAIN RHYTHMS
Paul Stapleton
Sonic Arts Research Centre, Belfast, United Kingdom
VERSE N.1
Luiz Naveda
State University of Minas Gerais, Belo Horizonte, Brazil
Natacha Lamounier
State University of Minas Gerais, Belo Horizonte, Brazil
VRENGT: A SHARED BODY-MACHINE INSTRUMENT FOR MUSIC-DANCE PERFORMANCE
Alexander Refsum Jensenius
University of Oslo, Norway
Cagri Erdem
University of Oslo, Norway
Katja Henriksen Schia
University of Oslo, Norway
TANTO MAR
André Lopes Martins
Universidade de São Paulo - USP, Brazil
Paulo Assis
Universidade de São Paulo - USP, Brazil
TEMPO TRANSVERSAL - FLAUTA EXPANDIDA
Cássia Carrascoza Bomfim
Universidade de São Paulo - USP, Brazil
Felipe Merker
Federal University of Pelotas, Pelotas, Brazil
June 4th
Session 1 & 2
Room 311, Centro Cultural, UFRGS
STELLAR COMMAND: A PLANETARIUM BASED COSMIC PERFORMANCE INTERFACE
Angelo Fraietta
UNSW Art and Design, University of NSW, Paddington, New South Wales, Australia
COMPOSING UNDERSTANDINGS: MUSIC, MOTION, GESTURE AND EMBODIED COGNITION
Guilherme Bertissolo
UFBA, Salvador, BA, Brazil
THE HALF-PHYSLER: AN OSCILLATING REAL-TIME INTERFACE TO A TUBE RESONATOR MODEL
Alex Hofmann
Dept. of Music Acoustics, University of Music and Performing Arts, Vienna
>Austrian Academy of Sciences, Vienna, Austria
Vasileios Chatziioannou
Department of Music Acoustics, University of Music and Performing Arts Vienna, Vienna, Austria
Sebastian Schmutzhard
Acoustics Research Institute, Austrian Academy of Sciences, Vienna, Austria
Gökberk Erdogan
Electrical & Electronics Engineering, Bogazici University, Istanbul, Turkey
Alexander Mayer
Department of Music Acoustics – Wiener Klangstil, University of Music and Performing Arts Vienna, Vienna, Austria
SIBILIM: A LOW-COST CUSTOMIZABLE WIRELESS MUSICAL INTERFACE
Helena de Souza Nunes
Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil
Federico Visi
www.federicovisi.com, Hamburg, Germany
Lydia Wohl Helena Coelho
Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil
Rodrigo Schramm
Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil
TAPTOP, ARMTOP, BLOWTOP: EVOLVING THE PHYSICAL LAPTOP INSTRUMENT
Doga Cavdir
CCRMA, Stanford Universtiy, Stanford, California, United States
Juan Sierra
CCRMA, Stanford University, Stanford, California, United States
Ge Wang
CCRMA, Stanford University, Stanford, California, United States
WHERE IS THE QUIET: IMMERSIVE EXPERIENCE DESIGN USING THE BRAIN, MECHATRONICS, AND MACHINE LEARNING
McLean J. Macionis
California Institute of the Arts, Valencia, California, United States
Ajay Kapur
California Institute of the Arts, Valencia, California, United States
TOWARDS THE CONCEPT OF DIGITAL DANCE AND MUSIC INSTRUMENTS
João Nogueira Tragtenberg
Creativity and Innovation for Music Manufacturing, SENAI Innovation Institute for ICT, Recife, PE, Brazil
Centro de Informatica, UFPE, Recife, PE, Brazil
Filipe Calegario
Creativity and Innovation for Music Manufacturing, SENAI Innovation Institute for ICT, Recife, PE, Brazil
Instituto SENAI de Inovação para Tecnologias da Informação e Comunicação, Recife, Brazil
Giordano Cabral
Centro de Informática, Universidade Federal de Pernambuco, Recife, Pernambuco, Brazil
Geber L. Ramalho
Centro de Informática, Universidade Federal de Pernambuco, Recife, Pernambuco, Brazil
PICO: A PORTABLE AUDIO EFFECT BOX FOR TRADITIONAL PLUCKED-STRING INSTRUMENTS
Julian Jaramillo
Escola de Comunicações e Artes, Universidade de São Paulo, São Paulo, Brazil
Fernando Iazzetta
Escola de Comunicações e Artes, Universidade de São Paulo, São Paulo, Brazil
THE WORLDWIDE WEB IN AN ANALOG PATCHBAY
Don Derek Haddad
Responsive Environments, Media Lab, MIT, Cambridge, Massachusetts, United States
Joe Paradiso
Responsive Environments, Media Lab, MIT, Cambridge, Massachusetts, United States
A PHYSICAL INTELLIGENT INSTRUMENT USING RECURRENT NEURAL NETWORKS
Torgrim Rudland Næss
University of Oslo, Oslo, Norway
Charles Patrick Martin
Department of Informatics, University of Oslo, Oslo, Norway
EXPRESSIVE POTENTIALS OF MOTION CAPTURE IN MUSICAL PERFORMANCE
Nicolas Bazoge
University of Rennes 2, Rennes, France
Bruno Bossis
EA Arts: Pratiques et Poétiques, Université Rennes 2, Rennes, France
Ronan Gaugne
Universidad Rennes, Inria, CNRS, IRISA, Rennes, France
A BASSLINE GENERATION SYSTEM BASED ON SEQUENCE-TO-SEQUENCE LEARNING
Behzad Haki
Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain
Sergi Jorda
Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain
A MIDI CONTROLLER MAPPER FOR THE BUILT-IN AUDIO MIXER IN UNITY GAME ENGINE
Pedro Pablo Lucas
Independent Researcher, Guayaquil, Ecuador
Session 1 & 2
Room 211, Centro Cultural, UFRGS
SCREENPLAY: A TOPIC-THEORY-INSPIRED INTERACTIVE SYSTEM
George Meikle
Performing Arts, Edge Hill University, Ormskirk, Lancashire, United Kingdom
MUSCULAR WIRES
Monica Bate
Departamento de Artes Visuales, Universidad de Chile, Santiago, RM, Chile
Javier Jaimovich
Departamento de Sonido, Universidad de Chile, Santiago, RM, Chile
Francisca Morand
Departamento de Danza, Universidad de Chile, Santiago, RM, Chile
AUDIOSTELLAR: A SAMPLER-LIKE MUSICAL INSTRUMENT FOR LATENT SOUND STRUCTURE DISCOVERY AND EXPERIMENTATION
Leandro Garber
CONICET, CIIPME, Capital Federal, Argentina
Tomás Ciccola
MUNTREF Art and Science, UNTREF, Buenos Aires, Argentina
HANDY INTERMODULATOR
Laewoo Kang
Information Science, Cornell University, Ithaca, New York, United States
EAVI EMG BOARD
Balandino Di Donato
EAVI, Goldsmiths, University of London, London, United Kingdom
Atau Tanaka
EAVI, Goldsmiths, University of London, London, United Kingdom
Michael Zbyszynski
Goldsmiths, University of London, London, United Kingdom
A "VOICE" INSTRUMENT WITH NEUTRAL VOICE AND INTONATION BASED ON VOCAL TRACT MODELS WITH SOFT MATERIAL
Kazuhiro Jo
Faculty of Design, Kyushu University, Fukuoka, Japan
Fou Yoshimura
Graduate School of Design, Kyushu University, Fukuoka, Japan
STEAM SYNTH: SYNTHESIS WITH TACTILE, ELECTRONIC, ACOUSTIC AND MECHANICAL PROPERTIES
Stephen J. Harhai
Handmade Electronic Instruments, Denver, Colorado
9:00 - 10:30
Room 309, Centro Cultural, UFRGS
KEYNOTE
Marcelo Wanderley
McGill University, Canada
AN ACTIVE WINE GLASS SYSTEM WITH A LIQUID SLOSHING VIBRATO MECHANISM
Lior Arbel
Faculty of Architecture and Town Planning, Technion - Israel
Institute of Technology, Haifa, Israel
Yoav Y. Schechner
Viterbi Faculty of Electrical Engineering, Technion - Israel
Institute of Technology, Haifa, Israel
Noam Amir
Department of Communication Disorders, Sackler Faculty of Medicine, Tel Aviv University, Tel Aviv, Israel
EXPLORING DYNAMIC VARIATIONS FOR EXPRESSIVE MECHATRONIC CHORDOPHONES
Juan Pablo Yepez Placencia
School of Engineering and Computer Science, Victoria University of Wellington, Wellington, New Zealand
Jim Murphy
New Zealand School of Music, Victoria University of Wellington, Wellington, New Zealand
Dale Carnegie
School of Engineering and Computer Science, Victoria University of Wellington, Wellington, New Zealand
EXPLORING HUMAN-MACHINE SYNERGY AND INTERACTION ON A ROBOTIC INSTRUMENT
Sang-won Leigh
Media Lab, MIT, Cambridge, Massachusetts, United States
Abhinandan Jain
Media Lab, MIT, Cambridge, Massachusetts, United States
Pattie Maes
Media Lab, MIT, Cambridge, Massachusetts, United States
11:30 - 13:00
Room 309, Centro Cultural, UFRGS
BESPOKE DESIGN FOR INCLUSIVE MUSIC: THE CHALLENGES OF EVALUATION
Alex Michael Lucas
Sonic Arts Research Centre, Queen's University Belfast, Belfast, United Kingdom
Miguel Ortiz
Sonic Arts Research Centre, Queen's University Belfast, Belfast, United Kingdom
Franziska Schroeder
Sonic Arts Research Centre, Queen's University Belfast, Belfast, United Kingdom
MATERIAL EMBODIMENTS OF ELECTROACOUSTIC MUSIC: AN EXPERIMENTAL WORKSHOP STUDY
Enrique Tomas
Tangible Music Lab, University of Art and Design of Linz, Linz, Austria
Thomas Gorbach
Multidisciplinary Design Group, Institute of Design and Assessment of Technology, Faculty of Informatics, TU Wien, Vienna, Austria
Hilda Tellioglu
Multidisciplinary Design Group, Institute of Design and Assessment of Technology, Faculty of Informatics, TU Wien, Vienna, Austria
Martin Kaltenbrunner
Tangible Music Lab, University of Art and Design of Linz, Linz, Austria
REANIMATING THE READYMADE
Peter Bussigel
Emily Carr University, Vancouver, Canada
Stephan Moore
Dept. of Radio, Television & Film, Northwestern University, Evanston, United States
Scott Smallwood
Dept. of Music, University of Alberta, Edmonton, Alberta, Canada
FICTIONAL INSTRUMENTS, REAL VALUES: DISCOVERING MUSICAL BACKGROUNDS WITH NON-FUNCTIONAL PROTOTYPES
Giacomo Lepri
Centre for Digital Music, Queen Mary University of London, UK
Andrew P. McPherson
Centre for Digital Music, Queen Mary University of London, UK
14:30 - 16:00
Room 309, Centro Cultural, UFRGS
MAGPICK: AN AUGMENTED GUITAR PICK FOR NUANCED CONTROL
Fabio Morreale
Creative Arts and Industries, University of Auckland, Auckland, New Zealand
Andrea Guidi
Electronic Engineering and Computer Science, Queen Mary University of London, London, United Kingdom
Andrew P. McPherson
Centre for Digital Music, Queen Mary University of London, London, United Kingdom
BENDIT_I/O: A SYSTEM FOR NETWORKED PERFORMANCE OF CIRCUIT-BENT DEVICES
Anthony T. Marasco
Experimental Music & Digital Media, Louisiana State University, Baton Rouge, Louisiana, United States
Edgar Berdahl
Louisiana State University, Baton Rouge, Louisiana, United States
ILLUMIWEAR: A FIBER-OPTIC ETEXTILE FOR MULTIMEDIA INTERACTIONS
Josh Urban Davis
Discovery Lab, Dartmouth College, Hanover, New Hampshire, United States
PRACTICAL CONSIDERATIONS FOR MIDI OVER BLUETOOTH LOW ENERGY AS A WIRELESS INTERFACE
Johnty Wang
Input Devices and Music Interaction Laboratory, McGill University, Montreal, Quebec, Canada
Axel Mulder
Infusion Systems, Montreal, Quebec, Canada
Marcelo Wanderley
Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada
17:00 - 18:30
Room 309, Centro Cultural, UFRGS
LEARNING FROM HISTORY: RECREATING AND REPURPOSING HARRIET PADBERG'S COMPUTER COMPOSED CANON AND FREE FUGUE
Richard J. Savery
Georgia Tech Center for Music Technology, Georgia Institute of Technology, Atlanta, Georgia, United States
Jason Brent Smith
Georgia Tech Center for Music Technology, Georgia Institute of Technology, Atlanta, Georgia, United States
Benjamin Genchel
Georgia Tech Center for Music Technology, Georgia Institute of Technology, Atlanta, Georgia, United States
Anthony Caulkins
Molly E. Jones
Anna Savery
LATIN AMERICAN NIMES: ELECTRONIC MUSICAL INSTRUMENTS AND EXPERIMENTAL SOUND DEVICES IN THE TWENTIETH CENTURY
Martin Matus Lerner
Universidad Nacional de Quilmes, Buenos Aires, Argentina
THE MODULAR BACKWARD EVOLUTION - WHY TO USE OUTDATED TECHNOLOGIES
Beat Rossmy
Media Informatics Lab, Ludwig-Maximilians University of Munich (LMU), Munich, Germany
Alexander Wiethoff
Media Informatics Lab, Ludwig-Maximilians University of Munich (LMU), Munich, Germany
EPHEMERAL INSTRUMENTS
Vincent Goudard
Sorbonne Université, Paris, France
20:00
Salão de Atos, UFRGS
GIRA
João Nogueira Tragtenberg
SENAI Innovation Institute for ICT, Recife, Brazil
Filipe Calegario
SENAI Innovation Institute for ICT, Recife, Brazil
BAD MOTHER / GOOD MOTHER - AN AUDIOVISUAL PERFORMANCE
Annina Rüst
Florida Atlantic University, Jupiter, United States
COLLIGATION
James Dooley
Royal Birmingham Conservatoire, Birmingham, United Kingdom
SELF-BUILT INSTRUMENT
Jiyun Park
Academy of Media Art Cologne, Cologne, Germany
BORROWED VOICES: PERFORMATIVE SINGING SYNTHESIS FEATURING T-VOKS AND C-VOKS
Boris Doval
Institut Jean Le Rond d'Alembert, Paris, France
Christophe d'Alessandro
CNRS Sorbonne Université, Paris, France
Grégoire Locqueville
Institut Jean Le Rond d'Alembert, Paris, France
Xiao Xiao
MIT Media Lab, Cambridge, United States
DIY BIONOISE
Sabina Hyoju Ahn
Kunstuniversität Linz, Linz, Austria
MUSICURSOR
Martim Galvão
Brown University, Providence, United States
PYTHAGOREAN DOMINO
Ana Dall'Ara-Majek
CIRMMT, Montreal, Canada
Takuto Fukuda
CIRMMT, Montreal, Canada
June 5th
Session 3 & 4
Room 311, Salão de Atos, UFRGS
BORDER: A LIVE PERFORMANCE BASED ON WEB AR AND A GESTURE CONTROLLED INSTRUMENT
Kiyu Nishida
Karlsruhe University of Arts and Design, Karlsruhe, Germany
School of Design, Kyushu University, Fukuoka, Japan
Akishige Yuguchi
Graduate School of Information Science, Nara Institute of Science and Technology, Nara, Japan
Kazuhiro Jo
Faculty of Design, Kyushu University, Fukuoka, Japan
YCAM, Yamaguchi, Japan
Paul Modler
Karlsruhe University of Arts and Design, Karlsruhe, Germany
School of Design, Kyushu University, Fukuoka, Japan
Markus Noisternig
IRCAM, CNRS, Sorbonne University, Paris, France
INSPECTING AND INTERACTING WITH MEANINGFUL MUSIC REPRESENTATIONS USING VAE
Ruihan Yang
New York University, Shanghai, China
Tianyao Chen
New York University, New York, United States
Yiyi Zhang
New York University, New York, United States
Gus Xia
New York University, Shanghai, China
EL MAPA NO ES EL TERRITORIO: SENSOR MAPPING FOR AUDIOVISUAL PERFORMANCES
Fabian Sguiglia
CONICET, Buenos Aires, Argentina
Escuela de Artes, Universidad Nacional de Quilmes, Bernal, Buenos Aires, Argentina
Pauli Coton
Universidad de las Artes, Buenos Aires, Argentina
Fernando Toth
Universidad de Buenos Aires, Buenos Aires, Argentina
CORETET: A VIRTUAL REALITY STRING QUARTET FOR THE 21ST CENTURY
Rob Hamilton
Department of Arts, Rensselaer Polytechnic Institute, Troy, New York, United States
PARAMETERIZED MELODY GENERATION WITH AUTOENCODERS AND TEMPORALLY-CONSISTENT NOISE
Aline Weber
Institute of Informatics, Federal University of Rio Grande do Sul, Porto Alegre, RS, Brazil
Lucas Nunes Alegre
Institute of Informatics, Federal University of Rio Grande do Sul, Porto Alegre, RS, Brazil
Jim Torresen
Department of Informatics, University of Oslo, Oslo, Norway
Bruno C. da Silva
Institute of Informatics, Federal University of Rio Grande do Sul, Porto Alegre, RS, Brazil
SEARCHING FOR THE PERFECT INSTRUMENT: INCREASED IMMERSION THROUGH INTERACTIVE EVOLUTIONARY INSTRUMENT DESIGN
Dhruv Chauhan
University of Bristol, Bristol, United Kingdom
Peter Bennett
University of Bristol, Bristol, United Kingdom
CD-SYNTH: A ROTATING, UNTETHERED, DIGITAL SYNTHESIZER
Patrick Chwalek
Media Lab, MIT, Cambridge, Massachusetts, United States
Joe Paradiso
Media Lab, MIT, Cambridge, Massachusetts, United States
ENHANCING THE EXPRESSIVITY OF THE SENSEL MORPH VIA AUDIO-RATE SENSING
Razvan Paisa
Aalborg University, Copenhagen, Denmark
Dan Overholt
Sound and Music Computing, Aalborg University, Copenhagen, Denmark
INTRODUCING LOCUS: A NIME FOR IMMERSIVE EXOCENTRIC AURAL ENVIRONMENTS
Disha Sardana
Human Centered Design, Virginia Tech, Blacksburg, Virginia, United States
Woohun Joo
Human Centered Design, Virginia Tech, Blacksburg, Virginia, United States
Ivica Ico Bukvic
SOPA, DISIS, ICAT, Virginia Tech, Blacksburg, Virginia, United States
Greg Earle
ECE Dept., Virginia Tech, Blacksburg, Virginia, United States
MESH GARDEN: A CREATIVE-BASED MUSICAL GAME FOR PARTICIPATORY MUSICAL PERFORMANCE
Tate Carson
Experimental Music & Digital Media, Louisiana State University, Baton Rouge, Louisiana, United States
ADAPTIVE MAPPING OF SOUND COLLECTIONS FOR DATA-DRIVEN MUSICAL INTERFACES
Gerard Roma
CeReNeM, University of Huddersfield, Huddersfield, United Kingdom
Owen Green
CeReNeM, University of Huddersfield, Huddersfield, United Kingdom
Pierre Alexandre Tremblay
CeReNeM, University of Huddersfield, Huddersfield, United Kingdom
NETWORKED HEAD-MOUNTED DISPLAYS FOR ANIMATED NOTATION AND AUDIO-SCORES WITH SMARTVOX
Jonathan Bell
PRISM, Aix-Marseille University, Marseille, PACA, France
REACH: A KEYBOARD-BASED GESTURE RECOGNITION SYSTEM FOR LIVE PIANO SOUND MODULATION
Niccolò Granieri
Integra Lab, Royal Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom
James Dooley
Integra Lab, Royal Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom
HA DOU KEN MUSIC: DIFFERENT MAPPINGS TO PLAY MUSIC WITH JOYSTICKS
Gabriel Lopes Rocha
Computer Science Department, Federal University of São João del-Rei, São João del-Rei, Minas Gerais, Brazil
João Teixera Araújo
Computer Science Department, Federal University of São João del-Rei, São João del-Rei, Minas Gerais, Brazil
Flávio Luiz Schiavoni
Computer Science Department, Federal University of São João del-Rei, São João del-Rei, Minas Gerais, Brazil
Session 3 & 4
Room 211, Centro Cultural, UFRGS
COLLABORATIVE MUSICAL PERFORMANCES WITH AUTOMATIC HARP BASED ON IMAGE RECOGNITION AND FORCE SENSING RESISTORS
Yupu Lu
School of Aerospace Engineering, Tsinghua University, Beijing, China
Yijie Wu
Department of Computer Science, The University of Hong Kong, Hong Kong
Yuxiang Ma
School of Aerospace Engineering, Tsinghua University, Beijing, China
Shijie Zhu
School of Aerospace Engineering, Tsinghua University, Beijing, China
AUSYNTHAR: A SIMPLE LOW-COST MODULAR SYNTHESIZER BASED ON AUGMENTED REALITY
Pedro Pablo Lucas
Independent Researcher, Guayaquil, Ecuador
CHORDATA: A STRING BASED MUSIC CONTROLLER
Stevie Jonathan Sutanto
Interface Cultures, Kunstuniversität Linz, Linz, Austria
Wesley Lee Yang
Interface Cultures, Kunstuniversität Linz, Linz, Austria
ACADEMIC FESTIVAL OVERTURE
Dietmar Hellmich
Composer, Vienna, Austria
Oliver Hödl
Faculty of Informatics, Cooperative Systems Research Group, University of Vienna, Vienna, Austria
VIRTUAL HOMO DEUS 1
Philip Liu
Berlin University of the Arts, Berlin, Germany
9:00 - 10:30
Room 309, Centro Cultural, UFRGS
KEYNOTE
Eduardo Reck Miranda
Plymouth University, United Kingdom
ADAPTIVE MULTIMODAL MUSIC LEARNING VIA INTERACTIVE HAPTIC INSTRUMENT
Yian Zhang
NYU Shanghai, Shanghai, China
Yinmiao Li
NYU Shanghai, Shanghai, China
Daniel Chin
NYU Shanghai, Shanghai, China
Gus Xia
NYU Shanghai, Shanghai, China
BLIKSEM: AN ACOUSTIC SYNTHESIS FUZZ PEDAL
Lloyd May
Bregman Studio, Dartmouth College, Hanover, New Hampshire, United States
Spencer Topel
Bregman Studio, Department of Music, Dartmouth College, Hanover, New Hampshire, United States
Yale Quantum Institute, Yale University, New Haven, Connecticut, United States
REBUILDING AND REINTERPRETING A DIGITAL MUSICAL INSTRUMENT - THE SPONGE
Ajin Jiji Tom
CIRMMT, Music Technology Department, McGill University, Montreal, Quebec, Canada
Harish Jayanth Venkatesan
Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada
Ivan Franco
Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada
Marcelo Wanderley
Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada
11:30 - 13:00
Room 309, Centro Cultural, UFRGS
DRMMR: AN AUGMENTED PERCUSSION IMPLEMENT
Hunter Brown
Digital Musics, Dartmouth College, Hanover, New Hampshire, United States
Spencer Topel
Music, Dartmouth College, Hanover, New Hampshire, United States
Yale Quantum Institute, Yale University, New Haven, Connecticut, United States
THE SLOWQIN: AN INTERDISCIPLINARY APPROACH TO REINVENTING THE GUQIN
Echo Ho
Tangible Music Lab - Institute of Media Studies, University of Art and Design, Linz, Austria
Alberto de Campo
Generative Art / Computational Art at the Institute for Time-Based Media, Berlin University of the Arts, Berlin, Germany
TAMING AND TICKLING THE BEAST - MULTI-TOUCH KEYBOARD AS INTERFACE FOR A PHYSICALLY MODELLED INTERCONNECTED RESONATING SUPER-HARP
Palle Dahlstedt
Dept. of Computer Science and Engineering, University of Gothenburg, Gothenburg, Sweden
Dept. of Communication, Aalborg University, Aalborg, Denmark
SEPARATING SOUND FROM SOURCE: SONIC TRANSFORMATION OF THE VIOLIN THROUGH ELECTRODYNAMIC PICKUPS AND ACOUSTIC ACTUATION
Laurel Pardue
Department of Architecture, Design and Media Technology, Aarlborg University, Copenhagen, Denmar
Centre for Digital Music, Queen Mary University of London, UK
Kurijn Buys
Centre for Digital Music, Queen Mary University of London, UK
Dan Overholt
Sound and Music Computing, Aalborg University, Copenhagen, Denmark
Andrew P. McPherson
Centre for Digital Music, Queen Mary University of London, UK
Michael Edinger
Musiklab, Copenhagen, Denmark
14:30 - 16:00
Room 309, Centro Cultural, UFRGS
STRATEGIES TO FACILITATE RAPID CREATIVE DEVELOPMENT WITH MULTIPLE NETWORKED DEVICES USING HAPPYBRACKETS
Oliver Bown
UNSW Faculty of Art & Design, Interactive Media Lab, Sydney, NSW, Australia
Angelo Fraietta
UNSW Art and Design, University of NSW, Paddington, New South Wales, Australia
Sam Ferguson
Faculty of Engineering and IT, University of Technology Sydney, Sydney, NSW, Australia
Lian Loke
Architecture, Design and Planning, University of Sydney, Sydney, Australia
ON THE INCLUSIVITY OF CONSTRAINT: CREATIVE APPROPRIATION IN INSTRUMENTS FOR NEURODIVERSE CHILDREN AND YOUNG PEOPLE
Joe Wright
Integra Lab, Royal Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom
James Dooley
Integra Lab, Royal Birmingham Conservatoire, Birmingham City University, Birmingham, United Kingdom
NIME PROTOTYPING IN TEAMS: A PARTICIPATORY APPROACH TO TEACHING PHYSICAL COMPUTING
Anna Xambó
Department of Music, Norwegian University of Science and Technology, Trondheim, Norway
Sigurd Saue
Department of Music, Norwegian University of Science and Technology, Trondheim, Norway
Alexander Refsum Jensenius
University of Oslo, Oslo, Norway
Robin Støckert
Department of Mathematical Sciences, Norwegian University of Science and Technology, Trondheim, Norway
Oeyvind Brandtsegg
Department of Music, Norwegian University of Science and Technology, Trondheim, Norway
SOUND CONTROL: SUPPORTING CUSTOM MUSICAL INTERFACE DESIGN FOR CHILDREN WITH DISABILITIES
Samuel Thompson Parke-Wolfe
Department of Computing, Goldsmiths University of London, United Kingdom
Hugo Scurto
STMS Ircam-CNRS-Sorbonne Université, Paris, France
Rebecca Fiebrink
Department of Computing, Goldsmiths University of London, London, United Kingdom
17:00 - 18:30
Room 309, Centro Cultural, UFRGS
VENEER: VISUAL AND TOUCH-BASED PROGRAMMING FOR AUDIO
Vesa Petri Norilo
DocMus, University of the Arts, Helsinki, Finland
COMPOSING AND EXECUTING INTERACTIVE MUSIC USING THE HIPHOP.JS LANGUAGE
Bertrand Petit
INDES, INRIA, Sophia-Antipolis, France
Manuel Serrano
Inria, Sophia Antipolis, France
T-VOKS: CONTROLLING SINGING AND SPEAKING SYNTHESIS WITH THE THEREMIN
Xiao Xiao
MIT Media Lab, Cambridge, Massachusetts, United States
Institut Jean Le Rond d'Alembert, Paris, France
Grégoire Locqueville
Institut Jean Le Rond d'Alembert, Paris, France
Christophe d'Alessandro
Institut Jean Le Rond D'Alembert, CNRS Sorbonne Université, Paris, France
Boris Doval
Institut Jean Le Rond d'Alembert, Paris, France
A COMPARISON OF OPEN-SOURCE LINUX FRAMEWORKS FOR AN AUGMENTED MUSICAL INSTRUMENT IMPLEMENTATION
Eduardo Meneses
IDMIL, McGill University, Montreal, Quebec, Canada
CIRMMT, McGill University, Montreal, Quebec, Canada
Johnty Wang
Input Devices and Music Interaction Laboratory, McGill University, Montreal, Quebec, Canada
CIRMMT, McGill University, Montreal, Quebec, Canada
Sergio Freire
School of Music - CEGeME, Universidade Federal de Minas Gerais (UFMG), Belo Horizonte, Minas Gerais, Brazil
Marcelo Wanderley
Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada
WOMEN'S LABOR: CREATING NIMES FROM DOMESTIC TOOLS
Margaret Schedel
Stony Brook University, Stony Brook, New York, United States
Jocelyn Ho
UCLA, Los Angeles, California, United States
Matthew Blessing
CCT, LSU, Baton Rouge, Louisiana, United States
June 6th
Session 5 & 6
Room 311, Centro Cultural, UFRGS
INTIMAL: WALKING TO FIND PLACE, BREATHING TO FEEL PRESENCE
Ximena Alarcon Diaz
RITMO Centre for Interdisciplinary Research in Rhythm, Time and Motion - Dep. of Musicology, University of Oslo, Oslo, Norway
Victor Evaristo Gonzalez Sanchez
RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, Norway
Cagri Erdem
RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, Norway
THE SCALE NAVIGATOR: A SYSTEM FOR NETWORKED ALGORITHMIC HARMONY
Nathan Turczan
MTIID, California Institute of the Arts, Valencia, California, United States
Ajay Kapur
California Institute of the Arts, Valencia, California, United States
HMUSIC: A DOMAIN SPECIFIC LANGUAGE FOR MUSIC PROGRAMMING AND LIVE CODING
Andre Rauber Du Bois
Universidade Federal de Pelotas, Pelotas, RS, Brazil
Rodrigo Geraldo Ribeiro
Departament of Computer Science, Universidade Federal de Ouro Preto, Ouro Preto, Minas Gerais, Brazil
HYPESAX: SAXOPHONE ACOUSTIC AUGMENTATION
Cristopher Ramos Flores
New Zealand School of Music, Victoria University of Wellington, Wellington, New Zealand
Jim Murphy
New Zealand School of Music, Victoria University of Wellington, Wellington, New Zealand
Michael Norris
New Zealand School of Music, Victoria University of Wellington, Wellington, New Zealand
ABDUCTION, DIAGRAMS AND ALGORITHMS FOR INTERACTION WITH LIVE-ELECTRONICS
Daniel F. Puig
Universidade Federal do Sul da Bahia, UFSB, Itabuna, Bahia, Brazil
BLENDING DIMENSIONS' WHEN COMPOSING FOR DMI AND SYMPHONIC ORCHESTRA
Oliver Hödl
Faculty of Informatics, Cooperative Systems Research Group, University of Vienna, Vienna, Austria
ESMERIL - A INTERACTIVE AUDIO PLAYER AND COMPOSITION SYSTEM FOR COLLABORATIVE EXPERIMENTAL MUSIC NETLABELS
Cristiano Figueiró
IHAC, UFBA, Salvador, Bahia, Brazil
Guilherme Soares
CECULT, UFRB, Santo Amaro, Bahia, Brazil
Bruno Rohde
Universidade Federal da Bahia, Salvador, Bahia, Brazil
COMPOSING IN SPACE-TIME WITH RAINBOWS: A FRAMEWORK FOR SPATIAL META-COMPOSITION
Robert S. Jarvis
Exertion Games Lab, RMIT University, Melbourne, VIC, Australia
Florian Floyd Mueller
Exertion Games Lab, RMIT University, Melbourne, VIC, Australia
Darrin Sean Verhagen
Digital Media/School of Design/Audiokinectic Experiments Lab, RMIT University, Melborne, VIC, Australia
TECHNOLOGICAL INTERFACES APPLIED IN DANCE PERFORMANCE TO CREATE MUSIC AND GARMENT MOVEMENTS
Natacha Lamounier
Federal University of Minas Gerais, Belo Horizonte, Brazil
Luiz Naveda
Post Graduate Program in Arts, State University of Minas Gerais, Belo Horizonte, Minas Gerais, Brazil
Adriana Bicalho
Federal University of Minas Gerais, Belo Horizonte, Brazil
OTOKIN: MAPPING FOR SOUNDSPACE EXPLORATION THROUGH DANCE IMPROVISATION
Palle Dahlstedt
Dept. of Computer Science and Engineering, University of Gothenburg, Gothenburg, Sweden
Dept. of Communication, Aalborg University, Aalborg, Denmark
Ami Skånberg Dahlstedt
Dept. of Drama, Theatre & Dance, Royal Holloway University of London, London, United Kingdom
Academy of Music and Drama, University of Gothenburg, Gothenburg, Sweden
SHOW THEM MY SCREEN: MIRRORING A LAPTOP SCREEN AS AN EXPRESSIVE AND COMMUNICATIVE MEANS IN COMPUTER MUSIC
Sang Won Lee
Computer Science, Virginia Tech, Blacksburg, Virginia, United States
TOWARDS A TELEMATIC DIMENSION SPACE
Patrick Müller
Institute for Computer Music and Sound Technology, Zurich University of the Arts, Zurich, Switzerland
EOLOS: A WIRELESS MIDI WIND CONTROLLER
Juan Mariano Ramos
CONICET, CABA, Argentina
Escuela Universitaria de Artes, Universidad Nacional de Quilmes, Bernal, Buenos Aires, Argentina
Departamento de Artes Dramáticas, Universidad Nacional de las Artes, CABA, Argentina
CREATING ORDER AND PROGRESS
Angelo Fraietta
UNSW Art and Design, University of NSW, Paddington, New South Wales, Australia
Session 5 & 6
Room 211, Centro Cultural, UFRGS
EXPLORING THE CONTAINER METAPHOR FOR EQUALISATION MANIPULATION
Christopher Dewey
School of Computing and Engineering, University of Huddersfield, Huddersfield, United Kingdom
Jonathan P. Wakefield
School of Computing and Engineering, University of Huddersfield, Huddersfield, United Kingdom
A SPATIALLY DISTRIBUTED VIBROTACTILE ACTUATOR ARRAY FOR THE FINGERTIPS
Edgar Berdahl
Louisiana State University, Baton Rouge, Louisiana, United States
Austin Franklin
Louisiana State University, Baton Rouge, Louisiana, United States
Eric Sheffield
Louisiana State University, Baton Rouge, Louisiana, United States
GRAIN PRISM: HIEROGLYPHIC INTERFACE FOR GRANULAR SAMPLING
Gabriela Bila Advincula
Media Lab - City Science, MIT, Cambridge, Massachusetts, United States
Don Derek Haddad
Responsive Environments, Media Lab, MIT, Cambridge, Massachusetts, United States
Kent Larson
MIT, Cambridge, Massachusetts, United States
AMIGO: AN ASSISTIVE MUSICAL INSTRUMENT TO ENGAGE, CREATE AND LEARN MUSIC
Isabela Corintha
Sound Design for Digital Media, FEUP, Porto, Portugal
Giordano Cabral
Centro de Informática, Universidade Federal de Pernambuco, Recife, Pernambuco, Brazil
Gilberto Bernardes
Sound Design for Digital Media, FEUP, Porto, Portugal
9:00 - 10:30
Room 309, Centro Cultural, UFRGS
VRENGT: A SHARED BODY-MACHINE INSTRUMENT FOR MUSIC-DANCE PERFORMANCE
Cagri Erdem
RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, Norway
Katja Henriksen Schia
Norwegian Contemporary Dance Company
Alexander Refsum Jensenius
RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, University of Oslo, Oslo, Norway
THE RECIPROCITY BETWEEN ANCILLARY GESTURE AND MUSIC STRUCTURE PERFORMED BY EXPERT MUSICIANS
Thais Fernandes Santos
Federal University of Rio Grande do Sul, Porto Alegre, Brazil
SOMACOUSTICS: INTERACTIVE BODY-AS-INSTRUMENT
Maros Suran Bomba
Aalborg University, Aalborg, Denmark
Palle Dahlstedt
Dept. of Communication, Aalborg University, Aalborg, Denmark
Dept. of Computer Science and Engineering, University of Gothenburg, Gothenburg, Sweden
AMBULATION: EXPLORING LISTENING TECHNOLOGIES FOR AN EXTENDED SOUND WALKING PRACTICE
Tim Shaw
Culture Lab, Newcastle University, Newcastle, United Kingdom
John Bowers
Newcastle University, Newcastle, United Kingdom
DESIGNING GESTURES FOR CONTINUOUS SONIC INTERACTION
Atau Tanaka
EAVI, Goldsmiths, University of London, London, United Kingdom
Balandino Di Donato
EAVI, Computing Department, Goldsmiths, University of London, London, United Kingdom
Michael Zbyszynski
Goldsmiths, University of London, London, United Kingdom
Geert Roks
11:30 - 13:00
Room 309, Centro Cultural, UFRGS
IMPROVISING A LIVE SCORE TO AN INTERACTIVE BRAIN-CONTROLLED FILM
Richard Ramchurn
Mixed Reality Lab, The University of Nottingham, Nottingham, United Kingdom
Juan Pablo Martinez Avila
Mixed Reality Laboratory, The University of Nottingham, Nottingham, United Kingdom
Sarah Martindale
Horizon Digital Economy Research, University of Nottingham, Nottingham, United Kingdom
Alan Chamberlain
Mixed Reality Lab, University of Nottingham, Nottingham, United Kingdom
Max L. Wilson
School of Computer Science, University of Nottingham, Nottingham, United Kingdom
Steve Benford
University of Nottingham, Nottingham, United Kingdom
PERSPECTIVES ON TIME: PERFORMANCE PRACTICE, MAPPING STRATEGIES & COMPOSITION WITH MIGSI
Sarah Reid
California Institute of the Arts, Santa Clarita, California, United States
Ryan Gaston
California Institute of the Arts, Valencia, California, United States
Ajay Kapur
California Institute of the Arts, Valencia, California, United States
FROM MONDRIAN TO MODULAR SYNTH: RENDERING NIME USING GENERATIVE ADVERSARIAL NETWORKS
Akito Van Troyer
Opera Of The Future, MIT Media Lab, Cambridge, Massachusetts, United States
Electronic Production and Design, Berklee College of Music, Boston, Massachusetts, United States
Rebecca Kleinberger
Media Lab, MIT, Cambridge, Massachusetts, United States
AUTOMATIC RECOGNITION OF SOUNDPAINTING FOR THE GENERATION OF ELECTRONIC MUSIC SOUNDS
David Antonio Gómez
Jáuregui Estia-Recherche, ESTIA, Bidart, France
Irvin Dongo
Informatique, École Supérieure Des Technologies Industrielles Avancées, Bidart, Aquitaine, France
Nadine Couture
Estia-Recherche & LaBRI, ESTIA, Bidart, Pays Basque, France
14:30 - 16:00
Room 309, Centro Cultural, UFRGS
GENERATING CONVINCING HARMONY PARTS WITH BLSTM NETWORK
Andrei Faitas
Department of Informatics, University of Oslo, Oslo, Norway
Synne Engdahl Baumann
Department of Informatics, University of Oslo, Oslo, Norway
Torgrim Rudland Næss
University of Oslo, Oslo, Norway
Jim Torresen
Department of Informatics, University of Oslo, Oslo, Norway
Charles Patrick Martin
Department of Informatics, University of Oslo, Oslo, Norway
AN INTERACTIVE MUSICAL PREDICTION SYSTEM WITH MIXTURE DENSITY RECURRENT NEURAL NETWORKS
Charles Patrick Martin
Department of Informatics, University of Oslo, Oslo, Norway
Jim Torresen
Department of Informatics, University of Oslo, Oslo, Norway
RITMO Centre for Interdisciplinary Studies in Rhythm, Time, and Motion, University of Oslo, Oslo, Norway
AUGMENTING PARAMETRIC SYNTHESIS WITH LEARNED TIMBRAL CONTROLLERS
Jeff Gregorio
ExCITe Center, Drexel University, Philadelphia, Pennsylvania, United States
Youngmoo Kim
ExCITe Center, Drexel University, Philadelphia, Pennsylvania, United States
SMALL DYNAMIC NEURAL NETWORKS FOR GESTURE CLASSIFICATION WITH THE RULERS (A DIGITAL MUSICAL INSTRUMENT)
Vanessa Yaremchuk
Carolina Brum Medeiros
Marcelo Wanderley
Music Technology, Schulich School of Music, McGill University, Montreal, Quebec, Canada
20:00
Agulha Night Club
KEYNOTE
Ana María Romano Gomez
Universidad El Bosque, Colombia
WE BASS: INTER(ACTIONS) ON A HYBRID INSTRUMENT
Miguel Antar
University of São Paulo, São Paulo, Brazil
Paulo Assis
University of São Paulo, São Paulo, Brazil
FLEXSYNTH: BLENDING MULTI-DIMENSIONAL SONIC SCENES
Tom Ajin Jiji
McGill University, Montreal, Canada
FIBER OPTIC MIDI CONTROLLER
Jesse Simpson
New York University, United States
SOUND OF COMPUTING THE SIGNAL ANALYSIS OF GRAVITY WAVES
Edgar Berdahl
School of Music, Louisiana State University, Baton Rouge, Louisiana, United States
PANDEMONIUM TRIO
Barry J. Cullen
Queen's University Belfast, Belfast, United Kingdom
Miguel Ortiz
Queen's University Belfast, Belfast, United Kingdom
Paul Stapleton
Sonic Arts Research Centre, Belfast, United Kingdom