Jacdac-for-Max: Plug-and-Play Physical Prototyping of Musical Interfaces
Kobi Hartley, Steve Hodges, and Joe Finney
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2023
- Location: Mexico City, Mexico
- Track: Papers
- Pages: 379–386
- Article Number: 53
- DOI: 10.5281/zenodo.11189216 (Link to paper)
- PDF link
Abstract:
This article presents Jacdac-for-Max: a cross-platform, open-source set of node.js scripts and custom Cycling ’74 Max objects which enable the use of Jacdac, an open, modular plug-and-play hardware prototyping platform, with Max visual programming language frequently used for audio-visual applications. We discuss the design and implementation of Jacdac-for-Max, and explore a number of example applications. Through this we show how Jacdac-for-Max can be used to rapidly prototype digital musical interfaces based on a range of input devices. Additionally, we discuss these qualities within the context of established principles for designing musical hardware, and the emerging concepts of long-tail hardware and frugal innovation. We believe that through Jacdac-for-Max, Jacdac provides a compelling approach to prototyping musical interfaces while supporting the evolution beyond a prototype with more robust and scalable solutions.
Citation:
Kobi Hartley, Steve Hodges, and Joe Finney. 2023. Jacdac-for-Max: Plug-and-Play Physical Prototyping of Musical Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.11189216BibTeX Entry:
@inproceedings{nime2023_53, abstract = {This article presents Jacdac-for-Max: a cross-platform, open-source set of node.js scripts and custom Cycling ’74 Max objects which enable the use of Jacdac, an open, modular plug-and-play hardware prototyping platform, with Max visual programming language frequently used for audio-visual applications. We discuss the design and implementation of Jacdac-for-Max, and explore a number of example applications. Through this we show how Jacdac-for-Max can be used to rapidly prototype digital musical interfaces based on a range of input devices. Additionally, we discuss these qualities within the context of established principles for designing musical hardware, and the emerging concepts of long-tail hardware and frugal innovation. We believe that through Jacdac-for-Max, Jacdac provides a compelling approach to prototyping musical interfaces while supporting the evolution beyond a prototype with more robust and scalable solutions.}, address = {Mexico City, Mexico}, articleno = {53}, author = {Kobi Hartley and Steve Hodges and Joe Finney}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.11189216}, editor = {Miguel Ortiz and Adnan Marquez-Borbon}, issn = {2220-4806}, month = {May}, numpages = {8}, pages = {379--386}, title = {Jacdac-for-Max: Plug-and-Play Physical Prototyping of Musical Interfaces}, track = {Papers}, url = {http://nime.org/proceedings/2023/nime2023_53.pdf}, year = {2023} }