Randy Jones, Andrew Schloss. Controlling a Physical Model with a 2D Force Matrix.

27

Niels Boettcher, Steven Gelineck, Stefania Serafin. PHYSMISM: A control interface for creative exploration of physical models.

31

Katarzyna Chuchac, Sile O'Modhrain, Roger Woods. Physical models and musical controllers - designing a novel electronic percussion instrument.

37

David Wessel, Rimas Avizienis Avizienis, Matthew Wright. A Force Sensitive Multi-touch Array Supporting Multiple 2-D Control Structures.

41

Angela Chang, Hiroshi Ishii, Joe Paradiso. Zstretch: A Stretchy Fabric Music Controller.

46

Juno Kim, Greg Schiemer, Terumi Narushima. Oculog: Playing with Eye Movements.

50

Antonio Camurri, Corrado Canepa, Gualtiero Volpe. Active listening to a virtual orchestra through an expressive gestural interface: The Orchestra Explorer.

56

Dan Overholt, Lance Putnam, John Thompson. The Multimodal Music Stand.

62

Joseph Malloch, Marcelo Wanderley. The T-Stick: from Musical Interface to Musical Instrument.

66

Garth Paine, Ian Stevenson, Angela Pearce. The Thummer Mapping Project (ThuMP).

70

Nicolas D'Alessandro, Thierry Dutoit. HandSketch Bi-Manual Controller: Investigation on Expressive Control Issues of an Augmented Tablet.

78

Yoshinari Takegawa, Tsutomu Terada, Masahiko Tsukamoto. Mobile Clavier: A New Music Keyboard for Flexible Key Transposition.

82

Mikko Ojanen, Jari Suominen, Titti Kallio. Erkki Kurenniemi's Electronic Musical Instruments of the 1960's and 1970's.

88

Thor Magnusson, Enrike Hurtado Mendieta. The Acoustic, the Digital and the Body: A Survey on Musical Instruments.

94

Michael Zbyszynski, Matthew Wright, Ali Momeni. Ten Years of Tablet Musical Interfaces.

100

Michael Gurevich, Jeffrey Treviño. Expression and Its Discontents: Toward an Ecology of Musical Creation.

106

Nick Collins. Live Coding Practice.

112

Steve Mann. Natural Interfaces for Musical Expression: Physiphones as primordial Infra-Instruments.

118

Frederic Bevilacqua, Fabrice Guédy, Emmanuel Fléty. Wireless sensor interface and gesture-follower for music pedagogy.

124

Roger Dannenberg. New Interfaces for Popular Music Performance.

130

Eric Lee, Urs Enke, Jan Borchers, Leo de Jong. Towards Rhythmic Analysis of Human Motion using Acceleration-Onset Times.

136

Nicolas Bouillot. nJam user experiments: enabling NMP from milliseconds to seconds.

142

Niall Moody, Dr. Nick Fells, Dr. Nicholas Bailey. Ashitaka: an audiovisual instrument.

148

Roberto Aimi. Percussion instruments using realtime convolution: Physical controllers.

154

Michael Rohs, Georg Essl. CaMus2 -- Optical Flow and Collaboration in Camera Phone Music Performance.

160

Rebecca Fiebrink, Ge Wang, Perry Cook. Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control.

164

Jonah Brucker-Cohen, Katherine Moriwaki. MIDI Scrapyard Challenge Workshops.

168

Eric Lee, Marius Wolf, Yvonne Jansen, Jan Borchers. REXband: A Multi-User Interactive Exhibit for Exploring Medieval Music.

172

Marije Baalman, Daniel Moody-Grigsby, Christopher Salter. Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance.

178

Joanne Jakovich, Kirsty Beilharz. ParticleTecture: Interactive Granular Soundspaces for Living and Entertainment.

185

Karmen Franinovic, Yon Visell. New Musical Interfaces in Context: Sonic Interaction Design in the Urban Setting.

191

Marcelo Gimene, Eduardo Miranda, Chris Johnson. Musicianship for Robots with Style.

197

David Topper. Extended Applications of the Wireless Sensor Array (WISEAR).

203

Giuseppe Torre, Mikael Fernstrom, Brendan O'Flynn. CELERITAS: Wearable Wireless System.

205

Stephen Sinclair, Marcelo Wanderley. Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems.

209

Justin Donaldson, Ian Knopke, Chris Raphael. Chroma Palette: Chromatic Maps of Sound As Granular Syntheis Interface.

213

Nick Collins. Matching Parts: Inner Voice Led Control for Symbolic and Audio Accompaniment.

220

Mark Cartwright, Matt Jones, Hiroko Terasawa. Rage in Conjunction with the Machine.

224

Gil Weinberg, Scott Driscoll. Introducing Pitch, Melody and Harmony into Robotic Musicianship.

228

Andrew Robertson, Mark Plumbley. B-Keeper: A Beat-Tracker for Live Performance.

234

Ajay Kapur, Eric Singer, George Tzanetakis. Integrating HyperInstruments, Musical Robots & Machine Musicianship for North Indian Classical Music.

238

Arthur Clay, Dennis Majoe. The Wrist-Conductor.

242

Avrum Hollinger, Virginia Penhune, Robert Zatorre. fMRI-Compatible Electronic Controllers.

246

Yoichi Nagashima. GHI project and "Cyber Kendang".

250

Shinichiro Toyoda. Sensillum: an improvisational approach to composition.

254

Leon Gruenbaum. The Samchillian Tip Tip Tip Cheeepeee: A Relativistic Keyboard Instrument.

256

Jason Freeman. Interfacing Audiences Into the Compositional Process.

260

Nicolas Villar, Matt Jervis, Alexander Lang. The ColorDex DJ Systems: A New Interface for Live Music Mixing.

264

Luke Dahl, Nathan Whetsell, John Van Stoecker. The WaveSaw: A Flexible Instrument for Direct Timbral Manipulation.

270

Nicholas Ward, Peter Bennett, Sile O'Modhrain. Effortful Interaction: Playing the Edge-trimmer.

273

Alexandre Francois, Elaine Chew, Dennis Thurmond. Visual Feedback in Performer-Machine Interaction for Musical Improvisation.

277

Cornelius Poepel, Günter Marx. >hot_strings SIG<.

281

Andrew Cook. Tactophonics - Your Favourite Thing Would Like to Sing.

285

Miguel Angel Ortiz Perez, Benjamin Knapp, Michael Alcorn. Diamair, Composing for Choir and Integral Music Controller.

289

José Eduardo Fornari, Adolfo Maia Jr., Jônatas Manzolli. Interactive Spatialization and Sound Design using an Evolutionary System.

293

Anthony Hornof, Troy Rogers, Tim Halverson. EyeMusic: Performing Live Music and Multimedia Compositions with Eye Movements.

299

Turner Kirk, Colby Leider. The FrankenPipe: A Novel Bagpipe Controller.

301

Antonio Camurri, Paolo Coletta, Giovanna Varni. Developing multimodal interactive systems with EyesWeb XMI.

305

Matt Hoffman, Perry Cook. Real-Time Feature-Based Synthesis for Live Musical Performance.

309

Mitsuyo Hashida, Noriko Nagata, Haruhiro Katayose. jPop-E: An Assistant System for Performance Rendering of Ensemble Music.

313

Mihir Sarkar, Barry Vercoe. Recognition and Prediction in a Networked Music Performance System for Indian Percussion.

317

Ben Vigoda, David Merrill. JamiOki -PureJoy: A New Direction in Electronically-Mediated Vocal Improvisation.

321

Daniel Gómez, Tjebbe Donner, Andrés Posdada. A Look at the Design and Creation of a Graphically Controlled Digital Musical Instrument.

327

Roy Vanegas. The MIDI Pick.

330

Manjinder Benning, Michael Mcguire, Peter Driessen. Improved Position Tracking of a 3-D Gesture-Based Musical Controller Using a Kalman Filter.

334

Noah Keating. The Lambent Reactive - An Audiovisual Environment for Kinesthetic Playforms.

338

Adam M. Stark, Mark D. Plumbley, Matthew E.P. Davies. Real-Time Beat-Synchronous Audio Effects.

344

Michael Winter, Harris Wulfson, Doug Barrett. Automatic Notation Generators.

346

Diana Young, Anagha Deshmane. A Web-Accessible, Searchable Bowstroke Database.

352

Jan Schacher. Gesture Control of Sounds in 3D Space.

358

Alexandre Torres Porres, Jonatas Manzollir. Adaptive Tuning using Theremin as Gestural Controller.

363

William Hsu. Design Issues in Interaction Modeling for Free Improvisation.

367

Sylvain Le Groux, Jonatas Manzolli, Paul Verschure. VR-RoBoser: Real-Time Adaptive Sonification of Virtual Environments Based on Avatar Behavior.

371

Hans-Christoph Steiner, David Merrill, Olaf Matthes. A Unified Toolkit for Accessing Human Interface Devices in Pure Data and Max/MSP.

375

Doug Van Nort, Marcelo Wanderley. Control Strategies for Navigation of Complex Sonic Spaces.

379

André Knörig, Boris Müller, Reto Wettach. Articulated Paint: Musical Expression for Non-Musicians.

384

Nicolas Villar, Matt Jervis, Alexander Lang. Freqtic Drums: A Musical Instrument that Uses Skin Contact as an Interface.

386

Chang Min Han. Project Scriabin v. 3.

388

Ginevra Castellano, Roberto Bresin, Antonio Camurri, Gualtiero Volpe. Expressive Control of Music and Visual Media by Full-Body Movement.

390

Adam R. Tindale. A Hybrid Method for Extended Percussive Gesture.

392

Paolo Bottoni, Riccardo Caporali, Daniele Capuano, Stefano Faralli, Anna Labella, Mario Pierro. Use of a dual-core DSP in a low-cost, touch-screen based musical instrument.

394

Junichi Kanebako, James Gibson, Dr. Laurent Mignonneau. Mountain Guitar: a Musical Instrument for Everyone.

396

Saburo Hirano, Hitoshi Akayama, Shinta Inoue. Development of new visual musical Instruments "Phenakistoscope player".

399

Marc Sirguy, Emmanuelle Gallin. eobody2: A Follow-Up to Eobody's Technology.

401

Bernie C. Till, Manjinder Singh Benning, Nigel Livingston. Wireless Inertial Sensing Package (WISP).

403

Stefan Loewenstein. Acoustic Map.

405

Tomoko Hashida, Takeshi Naemura, Takao Sato. A System for Improvisational Musical Expression Based on Player's Sense of Tempo.

407

Misako Nakamoto, Yasuo Kuhara. Circle Canon Chorus System Used To Enjoy A Musical Ensemble Singing "Frog Round".

409

Rui Pereira. Loop-R.

411

Jane Rigler, Zachary Seldess. The Music Cre8tor: an interactive sensor/software interface.

415

Carlos Guedes. Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance Performance.

417

Steve Bull, Scot Gresham-Lancaster, Kalin Mintchev, Terese Svoboda. Cellphonia: WET.

420

Dearraindrop. Miller.

421

Sibylle Hauert, Daniel Reichmuth, Volker Böhm. instant city, a music building game table.

422

Andrew Milmoe. Sonic Pong V3.1.

423

Betsey Biggs. The Tipping Point.

424

Simon Morris. Musique Concrete.

425

Yuta Uozumi, Masato Takahashi, Ryoho Kobayashi. bd: Sound installation with swarming robots.

426

stanza. Sensity.

427

Adriana Sa. THRESHOLDS.

428

Masato Takahashi, Hiroya Tanaka. bogs: Instrumental Aliens.

429

Julian Oliver, Steven Pickles. Fijuu2: A Game-Based Audio-Visual Performance and Composition Engine.

430

Jinsil Seo, Greg Corness. nite_aura.

431

Miguel Álvarez-Fernández, Stefan Kersten, Asia Piascik. Soundanism.

432

Alexandre Quessy. Human Sequencer.

433