NIME 2007

Thursday, June 7

Session 1 - Morning
Controllers and Physical Models

Controlling a Physical Model with a 2D Force Matrix
Randy Jones, Andrew Schloss
PHYSMISM: A control interface for creative exploration of physical models
Niels Boettcher, Steven Gelineck, Stefania Serafin
Physical models and musical controllers – designing a novel electronic percussion instrument
Katarzyna Chuchacz, Sile O’Modhrain, Roger Woods
A Force Sensitive Multi-touch Array Supporting Multiple 2-D Control Structures
David Wessel, Rimas Avizienis Avizienis, Matthew Wright
Zstretch: A Stretchy Fabric Music Controller
Angela Chang, Hiroshi Ishii, Joe Paradiso
Oculog: Playing with Eye Movements
Juno Kim, Greg Schiemer, Terumi Narushima
Active listening to a virtual orchestra through an expressive gestural interface: The Orchestra...
Antonio Camurri, Corrado Canepa, Gualtiero Volpe

Session 2 - Afternoon
Instrument Design

The Multimodal Music Stand
Dan Overholt, Lance Putnam, John Thompson
The T-Stick: from Musical Interface to Musical Instrument
Joseph Malloch, Marcelo Wanderley
The Thummer Mapping Project (ThuMP)
Garth Paine, Ian Stevenson, Angela Pearce
HandSketch Bi-Manual Controller: Investigation on Expressive Control Issues of an Augmented...
Nicolas D'Alessandro, Thierry Dutoit
Mobile Clavier: A New Music Keyboard for Flexible Key Transposition
Yoshinari Takegawa, Tsutomu Terada, Masahiko Tsukamoto

Friday, June 8

Session 3 - Morning
Philosophical, Historical and Pedagogical Issues

Erkki Kurenniemi's Electronic Musical Instruments of the 1960's and 1970's
Mikko Ojanen, Jari Suominen, Titti Kallio
The Acoustic, the Digital and the Body: A Survey on Musical Instruments
Thor Magnusson, Enrike Hurtado Mendieta
Ten Years of Tablet Musical Interfaces
Michael Zbyszynski, Matthew Wright, Ali Momeni
Expression and Its Discontents: Toward an Ecology of Musical Creation
Michael Gurevich, Jeffrey Treviño
Live Coding Practice
Nick Collins
Natural Interfaces for Musical Expression: Physiphones as primordial Infra-Instruments
Steve Mann
Wireless sensor interface and gesture-follower for music pedagogy
Frederic Bevilacqua, Fabrice Guedy, Emmanuel Flety, Nicolas Leroy, Norbert Schnell

Session 4 - Afternoon
Timing, Motion and Rhythm

New Interfaces for Popular Music Performance
Roger Dannenberg
Towards Rhythmic Analysis of Human Motion using Acceleration-Onset Times
Eric Lee, Urs Enke, Leo de Jong
nJam user experiments: enabling NMP from milliseconds to seconds
Nicolas Bouillot
Ashitaka: an audiovisual instrument
Niall Moody, Dr. Nick Fells, Dr. Nicholas Bailey
Percussion instruments using realtime convolution: Physical controllers
Roberto Aimi

Saturday, June 9

Session 5 - Morning
Public and Collaborative

CaMus2 -- Optical Flow and Collaboration in Camera Phone Music Performance
Michael Rohs, Georg Essl
Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control
Rebecca Fiebrink, Ge Wang, Perry Cook
MIDI Scrapyard Challenge Workshops
Jonah Brucker-Cohen, Katherine Moriwaki
REXband: A Multi-User Interactive Exhibit for Exploring Medieval Music
Eric Lee, Marius Wolf, Jan Borchers
Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance
Marije Baalman, Daniel Moody-Grigsby, Christopher Salter
ParticleTecture: Interactive Granular Soundspaces for Living and Entertainment
Joanne Jakovich, Kirsty Beilharz
New Musical Interfaces in Context: Sonic Interaction Design in the Urban Setting
Karmen Franinovic, Yon Visell

Session 6 - Afternoon
Systems and Standards

Musicianship for Robots with Style
Marcelo Gimene, Eduardo Miranda, Chris Johnson
Extended Applications of the Wireless Sensor Array (WISEAR)
David Topper
CELERITAS: Wearable Wireless System
Giuseppe Torre, Mikael Fernstrom, Brendan O'Flynn
Defining a control standard for easily integrating haptic virtual environments with existing...
Stephen Sinclair, Marcelo Wanderley
Chroma Palette: Chromatic Maps of Sound As Granular Syntheis Interface
Justin Donaldson, Ian Knopke, Chris Raphael