4 Disklavier Preludes

Omar C Hamido

Music Proceedings of the International Conference on New Interfaces for Musical Expression

• Year: 2023
• Location: Mexico City, Mexico
• Article Number: 1393
• DOI: 10.5281/zenodo.11194740 (Link to paper)
• PDF link
• Supplementary File 1: online-in-person-concerts

Abstract:

4 Disklavier Preludes is one of the main works in The Gedanken Room (2021). This is a work that explores the implications of Quantum Computing for Music composition, both conceptually and practically. Its 4 parts explore the use of the Disklavier both as an input and output interface for building Quantum Circuits and retrieving its measurements, in a live interactive multimedia environment with which live performers interact. The cinematographic narrative addresses utopian/dystopian issues in human-machine interaction.

Citation:

BibTeX Entry:

  @article{nime23-music-1393,
 abstract = {4 Disklavier Preludes is one of the main works in The Gedanken Room (2021). This is a work that explores the implications of Quantum Computing for Music composition, both conceptually and practically. Its 4 parts explore the use of the Disklavier both as an input and output interface for building Quantum Circuits and retrieving its measurements, in a live interactive multimedia environment with which live performers interact. The cinematographic narrative addresses utopian/dystopian issues in human-machine interaction.},
 address = {Mexico City, Mexico},
 articleno = {1393},
 author = {Omar C Hamido},
 booktitle = {Music Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.11194740},
 editor = {Rob Hamilton},
 month = {May},
 note = {Online Presentation},
 title = {4 Disklavier Preludes},
 url = {https://www.nime.org/proceedings/2023/nime2023_music_1393.pdf},
 urlsuppl1 = {https://www.nime2023.org/program/online-in-person-concerts},
 year = {2023}
}