SÉANCE. Ode to Oram.
Eleonora Oreggia
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2026
- Location: London, United Kingdom
- Track: Music
- Pages: 23–26
- Article Number: 7
- DOI: 10.5281/zenodo.20782047 (Link to paper and supplementary files)
- PDF Link
- Presentation/Demo Video
Abstract
Composed in occasion of the centenary of the British composer Daphne Oram, this performance for human/s and electro- magnetic waves is based on a novel expressive technique for musical interaction which creates a cloud of electromagnetic waves around the main instrument, REBUS, placed on a plinth on stage. The performance explores a selection of samples from the Daphne Oram Centenary Sample Pack to construct an abstract narrative, a sonic exploration of the composer’s personality, in a symbolic attempt to attract her presence on stage. The immateriality of the electromagnetic waves, used as a means for connection, contributes to the conducive illusion, constructing the metaphor of a séance.
Citation
Eleonora Oreggia. 2026. SÉANCE. Ode to Oram.. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.20782047 [PDF]
BibTeX Entry
@inproceedings{nime2026_music_7,
abstract = {Composed in occasion of the centenary of the British composer Daphne Oram, this performance for human/s and electro- magnetic waves is based on a novel expressive technique for musical interaction which creates a cloud of electromagnetic waves around the main instrument, REBUS, placed on a plinth on stage. The performance explores a selection of samples from the Daphne Oram Centenary Sample Pack to construct an abstract narrative, a sonic exploration of the composer’s personality, in a symbolic attempt to attract her presence on stage. The immateriality of the electromagnetic waves, used as a means for connection, contributes to the conducive illusion, constructing the metaphor of a séance.},
address = {London, United Kingdom},
articleno = {7},
author = {Eleonora Oreggia},
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
doi = {10.5281/zenodo.20782047},
editor = {Lia Mice and Nicole Robson and Tara Pattenden},
issn = {2220-4806},
month = {June},
note = {Live Performance},
numpages = {4},
pages = {23--26},
presentation-video = {https://xname.cc/video/SEANCE/},
title = {SÉANCE. Ode to Oram.},
track = {Music},
url = {http://nime.org/proceedings/2026/nime2026_music_7.pdf},
year = {2026}
}