All Of It

Michael Mulshine

Proceedings of the International Conference on New Interfaces for Musical Expression

Abstract

‘All Of It’ tries (and necessarily fails) to embrace everything all at once. Mediated through live theatrical performance, dance/movement, and ambisonics tape, ‘All Of It’ reflects a period of hyper-mobility, departure from routine, and dynamic understandings of home. The piece features collaborative making of a DMI/interactive sound object mid-performance and asks the audience to consider the beauty found in the process of creation, opposing understandings of measurements of value resting solely in the artifacts/outcomes of production.

Citation

Michael Mulshine. 2024. All Of It. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.15028029

BibTeX Entry

@article{nime2024_music_19,
 abstract = {‘All Of It’ tries (and necessarily fails) to embrace everything all at once. Mediated through live theatrical performance, dance/movement, and ambisonics tape, ‘All Of It’ reflects a period of hyper-mobility, departure from routine, and dynamic understandings of home. The piece features collaborative making of a DMI/interactive sound object mid-performance and asks the audience to consider the beauty found in the process of creation, opposing understandings of measurements of value resting solely in the artifacts/outcomes of production.},
 address = {Utrecht, Netherlands},
 articleno = {19},
 author = {Michael Mulshine},
 booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.15028029},
 editor = {Laurel Smith Pardue and Palle Dahlstedt},
 issn = {2220-4806},
 month = {September},
 numpages = {2},
 pages = {68--69},
 presentation-video = {https://youtu.be/BGyzlBk_B18},
 title = {All Of It},
 track = {Music},
 url = {http://nime.org/proceedings/2024/nime2024_music_19.pdf},
 year = {2024}
}