MEMORIAS
Jessica Rodriguez
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2021
- Location: Shanghai, China
- Track: Music
- Article Number: 20
- DOI: 10.21428/92fbeb44.1ba52c5e (Link to paper and supplementary files)
- PDF Link
Abstract
MEMORIAS is an artistic project by Jessica A. Rodríguez that unfolded in six esolangs for audio-visual creation drawing from Live Coding and Electronic Literature practices. The languages are based on six short autobiographical texts and have a hybridized syntax using natural and computational languages. MEMORIAS explores literary/textual materialities, as well as different audio-visual modalities; mixing voices, Cello and Paetzold samples, sonic and visual syntheses, and pre-recorded video clips. This project explores how speech — in its written mode — can be used as an interface that allows the interpreter to communicate with the computer and the audience. In parallel, speech — in its sonic mode — expands the possibilities of spoken literature producing limitless variations of the "original" autobiographical stories. During the live performance, the user activates audio-visual languages through the evaluation of written speech (esolangs).
Citation
Jessica Rodriguez. 2021. MEMORIAS. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.21428/92fbeb44.1ba52c5e [PDF]
BibTeX Entry
@inproceedings{nime2021_music_20,
abstract = {MEMORIAS is an artistic project by Jessica A. Rodríguez that unfolded in six esolangs for audio-visual creation drawing from Live Coding and Electronic Literature practices. The languages are based on six short autobiographical texts and have a hybridized syntax using natural and computational languages. MEMORIAS explores literary/textual materialities, as well as different audio-visual modalities; mixing voices, Cello and Paetzold samples, sonic and visual syntheses, and pre-recorded video clips. This project explores how speech — in its written mode — can be used as an interface that allows the interpreter to communicate with the computer and the audience. In parallel, speech — in its sonic mode — expands the possibilities of spoken literature producing limitless variations of the "original" autobiographical stories. During the live performance, the user activates audio-visual languages through the evaluation of written speech (esolangs).},
address = {Shanghai, China},
articleno = {20},
author = {Jessica Rodriguez},
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
doi = {10.21428/92fbeb44.1ba52c5e},
editor = {Eric Parren and Wei Chen},
issn = {2220-4806},
month = {June},
title = {MEMORIAS},
track = {Music},
url = {https://doi.org/10.21428/92fbeb44.1ba52c5e},
year = {2021}
}