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Fue Sho -- Electrofusion

Garth Paine, and Michael Atherton

Music Proceedings of the International Conference on New Interfaces for Musical Expression

Abstract

This is a semi-improvised exploration of the world of the “old skool” — the fortepiano and the world of rock and roll — the electric guitar. Imbued with spirits, stretched into mellifluous timbres, this work seeks to place the old and new into the cauldron of post modern musical landscape, taking known reference points and recontextualising them through the use of the Capybara/Kyma engine controlled by a Wacom Tablet.

Citation

Garth Paine, and Michael Atherton. 2009. Fue Sho -- Electrofusion. Music Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177651 [PDF]

BibTeX Entry


@inproceedings{nime2009_music_5_Paine,
author = {Paine, Garth and Atherton, Michael},
title = {Fue Sho -- Electrofusion},
pages = {324},
numpages = {1},
booktitle = {Music Proceedings of the International Conference on New Interfaces for Musical Expression},
editor = {Noel Zahler and Riccardo Schulz},
year = {2009},
month = {June},
publisher = {Carnegie Mellon University},
address = {Pittsburgh, Pennsylvania},
issn = {2220-4806},
articleno = {5},
track = {Music},
doi = {10.5281/zenodo.1177651},
url = {https://nime.org/proceedings/2009/nime2009_324.pdf},
abstract = {This is a semi-improvised exploration of the world of the “old skool” — the fortepiano and the world of rock and roll — the electric guitar. Imbued with spirits, stretched into mellifluous timbres, this work seeks to place the old and new into the cauldron of post modern musical landscape, taking known reference points and recontextualising them through the use of the Capybara/Kyma engine controlled by a Wacom Tablet.}
}