The Oklo Phenomenon
Robert Wechsler
Music Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2009
- Location: Pittsburgh, Pennsylvania
- Track: Music
- Pages: 320
- Article Number: 1
- DOI: 10.5281/zenodo.1177701 (Link to paper and supplementary files)
- PDF Link
Abstract
The Oklo Phenomenon is a solo dance piece controlling sound and light with movement. The performer(s) uses eye movement, facial gesture and body movement to control stage lighting and sound. The synergistic effect of all three of these media — movement, light and sound — generates a unique relationship between the performer and his surroundings as they become both an outside force with which he is confronted and a reflection of his own psyche.
Citation
Robert Wechsler. 2009. The Oklo Phenomenon. Music Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177701 [PDF]
BibTeX Entry
@inproceedings{nime2009_music_1_Wechsler,
author = {Wechsler, Robert},
title = {The Oklo Phenomenon},
pages = {320},
numpages = {1},
booktitle = {Music Proceedings of the International Conference on New Interfaces for Musical Expression},
editor = {Noel Zahler and Riccardo Schulz},
year = {2009},
month = {June},
publisher = {Carnegie Mellon University},
address = {Pittsburgh, Pennsylvania},
issn = {2220-4806},
articleno = {1},
track = {Music},
doi = {10.5281/zenodo.1177701},
url = {https://nime.org/proceedings/2009/nime2009_320.pdf},
abstract = {The Oklo Phenomenon is a solo dance piece controlling sound and light with movement. The performer(s) uses eye movement, facial gesture and body movement to control stage lighting and sound. The synergistic effect of all three of these media — movement, light and sound — generates a unique relationship between the performer and his surroundings as they become both an outside force with which he is confronted and a reflection of his own psyche.}
}