Dark Matter (live coding)

Konstantinos Vasilakos, Scott Wilson, Tsun Winston Yeung, Margetson Emma, and Erik Nystrom

Music Proceedings of the International Conference on New Interfaces for Musical Expression

• Year: 2020
• Location: Birmingham, UK
• Pages: 49-51
• DOI: 10.5281/zenodo.6352914 (Link to paper)
• PDF link

Abstract:

This performance, created in collaboration with the art@CMS project at CERN in Switzerland, involves the real-time sonification of data streams from the Large Hadron Collider, the world’s largest and most complex particle accelerator. Experimental data containing clues towards possible ’new physics’ becomes the raw material for improvised music and visualisations programmed with an aim to creating a result that while beautiful, is both musically and scientifically meaningful.

Citation:

BibTeX Entry:

  @inproceedings{nime20-music-Wilson,
 abstract = {This performance, created in collaboration with the art@CMS project at CERN in Switzerland, involves the real-time sonification of data streams from the Large Hadron Collider, the world’s largest and most complex particle accelerator. Experimental data containing clues towards possible ’new physics’ becomes the raw material for improvised music and visualisations programmed with an aim to creating a result that while beautiful, is both musically and scientifically meaningful.},
 address = {Birmingham, UK},
 author = {Vasilakos, Konstantinos and Wilson, Scott and Yeung, Tsun Winston and Margetson Emma and Nystrom, Erik},
 booktitle = {Music Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.6352914},
 editor = {Wright, Joe and Feng, Jian},
 month = {July},
 pages = {49-51},
 publisher = {Royal Birmingham Conservatoire},
 title = {Dark Matter (live coding)},
 url = {http://www.nime.org/proceedings/2020/nime2020_music22.pdf},
 year = {2020}
}