Artefacts of Presence

Solomiya Moroz, and Dejana Sekulic

Music Proceedings of the International Conference on New Interfaces for Musical Expression

Abstract:

artefacts of presence uses archival material from a folk music archive and was part of the larger project addressing composition with archival material. In this piece, I used transcriptions of archival material to adapt to violin writing and techniques. I also use an extended bow attachment which is comprised of a minibee accelerometer whose speed and direction of movement influences digital sound processes of the violinist. The performative presence of the violinist on stage is established through a musical dialogue with the protagonists of the archival footage.

Citation:

Solomiya Moroz, and Dejana Sekulic. 2020. Artefacts of Presence. Music Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.6351119

BibTeX Entry:

  @inproceedings{nime20-music-Moroz,
 abstract = {artefacts of presence uses archival material from a folk music archive and was part of the larger project addressing composition with archival material. In this piece, I used transcriptions of archival material to adapt to violin writing and techniques. I also use an extended bow attachment which is comprised of a minibee accelerometer whose speed and direction of movement influences digital sound processes of the violinist. The performative presence of the violinist on stage is established through a musical dialogue with the protagonists of the archival footage.},
 address = {Birmingham, UK},
 author = {Moroz, Solomiya and Dejana Sekulic},
 booktitle = {Music Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.6351119},
 editor = {Wright, Joe and Feng, Jian},
 month = {July},
 pages = {26-27},
 publisher = {Royal Birmingham Conservatoire},
 title = {Artefacts of Presence},
 url = {http://www.nime.org/proceedings/2020/nime2020_music11.pdf},
 year = {2020}
}