Artefacts of Presence

Solomiya Moroz, and Dejana Sekulic

Music Proceedings of the International Conference on New Interfaces for Musical Expression

Abstract

artefacts of presence uses archival material from a folk music archive and was part of the larger project addressing composition with archival material. In this piece, I used transcriptions of archival material to adapt to violin writing and techniques. I also use an extended bow attachment which is comprised of a minibee accelerometer whose speed and direction of movement influences digital sound processes of the violinist. The performative presence of the violinist on stage is established through a musical dialogue with the protagonists of the archival footage.

Citation

Solomiya Moroz, and Dejana Sekulic. 2020. Artefacts of Presence. Music Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.6351119

BibTeX Entry

@inproceedings{nime20-music-Moroz,
 abstract = {artefacts of presence uses archival material from a folk music archive and was part of the larger project addressing composition with archival material. In this piece, I used transcriptions of archival material to adapt to violin writing and techniques. I also use an extended bow attachment which is comprised of a minibee accelerometer whose speed and direction of movement influences digital sound processes of the violinist. The performative presence of the violinist on stage is established through a musical dialogue with the protagonists of the archival footage.},
 address = {Birmingham, UK},
 author = {Moroz, Solomiya and Dejana Sekulic},
 booktitle = {Music Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.6351119},
 editor = {Wright, Joe and Feng, Jian},
 month = {July},
 pages = {26-27},
 publisher = {Royal Birmingham Conservatoire},
 title = {Artefacts of Presence},
 url = {http://www.nime.org/proceedings/2020/nime2020_music11.pdf},
 year = {2020}
}