Gravity | Density

Jesse Allison, and Anthony T Marasco

Music Proceedings of the International Conference on New Interfaces for Musical Expression

Abstract

Gravity | Density is a work for cyber-hacked devices and Web Audio applications with thematic material drawn from humankind’s fascination with the universe. In Gravity | Density, we begin by manipulating fixed-audio sources through the performance of hacked CD play- ers. The sonic results of this mangled audio is sampled and then distributed to the audience’s mobile devices in both passive and interactive manners. Passive distributions allow us to create intricately-spatialized rhythmic interplay between the glitching CD players and the blanket of overlapping samples dispersed throughout the networked audience. Active distributions allow the audience to join in our performance; by sampling small portions of the audio, processing and looping these sounds and sending them back to the performers, we string this audio together and feed it into a cyber-controlled distortion pedal before sending it back to the audience for more manipulation. This results in overlapping cycles of control and audio generation between performer, audience, network, and machine.

Citation

Jesse Allison, and Anthony T Marasco. 2020. Gravity | Density. Music Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.6351489

BibTeX Entry

@inproceedings{nime20-music-Allison,
 abstract = {Gravity | Density is a work for cyber-hacked devices and Web Audio applications with thematic material drawn from humankind’s fascination with the universe. In Gravity | Density, we begin by manipulating fixed-audio sources through the performance of hacked CD play- ers. The sonic results of this mangled audio is sampled and then distributed to the audience’s mobile devices in both passive and interactive manners. Passive distributions allow us to create intricately-spatialized rhythmic interplay between the glitching CD players and the blanket of overlapping samples dispersed throughout the networked audience. Active distributions allow the audience to join in our performance; by sampling small portions of the audio, processing and looping these sounds and sending them back to the performers, we string this audio together and feed it into a cyber-controlled distortion pedal before sending it back to the audience for more manipulation. This results in overlapping cycles of control and audio generation between performer, audience, network, and machine.},
 address = {Birmingham, UK},
 author = {Allison, Jesse and Marasco, Anthony T},
 booktitle = {Music Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.6351489},
 editor = {Wright, Joe and Feng, Jian},
 month = {July},
 pages = {34-35},
 publisher = {Royal Birmingham Conservatoire},
 title = {Gravity | Density},
 url = {http://www.nime.org/proceedings/2020/nime2020_music15.pdf},
 year = {2020}
}