Concept Tahoe: Microphone Midi Control
Dan Moses Schlessinger
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2012
- Location: Ann Arbor, Michigan
- Keywords: NIME, Sennheiser, Concept Tahoe, MIDI, control, microphone
- DOI: 10.5281/zenodo.1180591 (Link to paper)
- PDF link
Abstract:
We have developed a prototype wireless microphone that provides vocalists with control over their vocal effects directly from the body of the microphone. A wireless microphone has been augmented with six momentary switches, one fader, and three axes of motion and position sensors, all of which provide MIDI output from the wireless receiver. The MIDI data is used to control external vocal effects units such as live loopers, reverbs, distortion pedals, etc. The goal was to to provide dramatically increased expressive control to vocal performances, and address some of the shortcomings of pedal-controlled effects. The addition of gestural controls from the motion sensors opens up new performance possibilities such as panning the voice simply by pointing the microphone in one direction or another. The result is a hybrid microphone-musical instrument which has recieved extremely positive results from vocalists in numerous infor-mal workshops.
Citation:
Dan Moses Schlessinger. 2012. Concept Tahoe: Microphone Midi Control. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1180591BibTeX Entry:
@inproceedings{Schlessinger2012, abstract = {We have developed a prototype wireless microphone that provides vocalists with control over their vocal effects directly from the body of the microphone. A wireless microphone has been augmented with six momentary switches, one fader, and three axes of motion and position sensors, all of which provide MIDI output from the wireless receiver. The MIDI data is used to control external vocal effects units such as live loopers, reverbs, distortion pedals, etc. The goal was to to provide dramatically increased expressive control to vocal performances, and address some of the shortcomings of pedal-controlled effects. The addition of gestural controls from the motion sensors opens up new performance possibilities such as panning the voice simply by pointing the microphone in one direction or another. The result is a hybrid microphone-musical instrument which has recieved extremely positive results from vocalists in numerous infor-mal workshops.}, address = {Ann Arbor, Michigan}, author = {Dan Moses Schlessinger}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1180591}, issn = {2220-4806}, keywords = {NIME, Sennheiser, Concept Tahoe, MIDI, control, microphone}, publisher = {University of Michigan}, title = {Concept Tahoe: Microphone Midi Control}, url = {http://www.nime.org/proceedings/2012/nime2012_202.pdf}, year = {2012} }