Multimodal Guitar : A Toolbox For Augmented Guitar Performances

Loïc Reboursière, Christian Frisson, Otso Lähdeoja, John A. Mills, Cécile Picard-Limpens, and Todor Todoroff

Proceedings of the International Conference on New Interfaces for Musical Expression

  • Year: 2010
  • Location: Sydney, Australia
  • Pages: 415–418
  • Keywords: Augmented guitar, audio synthesis, digital audio effects, multimodal interaction, gestural sensing, polyphonic tran- scription, hexaphonic guitar
  • DOI: 10.5281/zenodo.1177881 (Link to paper)
  • PDF link

Abstract:

This project aims at studying how recent interactive and interactions technologies would help extend how we play theguitar, thus defining the "multimodal guitar". Our contributions target three main axes: audio analysis, gestural control and audio synthesis. For this purpose, we designed anddeveloped a freely-available toolbox for augmented guitarperformances, compliant with the PureData and Max/MSPenvironments, gathering tools for: polyphonic pitch estimation, fretboard visualization and grouping, pressure sensing,modal synthesis, infinite sustain, rearranging looping and "smart" harmonizing.

Citation:

Loïc Reboursière, Christian Frisson, Otso Lähdeoja, John A. Mills, Cécile Picard-Limpens, and Todor Todoroff. 2010. Multimodal Guitar : A Toolbox For Augmented Guitar Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177881

BibTeX Entry:

  @inproceedings{Reboursiere2010,
 abstract = {This project aims at studying how recent interactive and interactions technologies would help extend how we play theguitar, thus defining the "multimodal guitar". Our contributions target three main axes: audio analysis, gestural control and audio synthesis. For this purpose, we designed anddeveloped a freely-available toolbox for augmented guitarperformances, compliant with the PureData and Max/MSPenvironments, gathering tools for: polyphonic pitch estimation, fretboard visualization and grouping, pressure sensing,modal synthesis, infinite sustain, rearranging looping and "smart" harmonizing.},
 address = {Sydney, Australia},
 author = {Reboursi\`{e}re, Lo\"{i}c and Frisson, Christian and L\"{a}hdeoja, Otso and Mills, John A. and Picard-Limpens, C\'{e}cile and Todoroff, Todor},
 booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.1177881},
 issn = {2220-4806},
 keywords = {Augmented guitar, audio synthesis, digital audio effects, multimodal interaction, gestural sensing, polyphonic tran- scription, hexaphonic guitar},
 pages = {415--418},
 title = {Multimodal Guitar : A Toolbox For Augmented Guitar Performances},
 url = {http://www.nime.org/proceedings/2010/nime2010_415.pdf},
 year = {2010}
}