Multimodal Guitar : A Toolbox For Augmented Guitar Performances
Loïc Reboursière, Christian Frisson, Otso Lähdeoja, John A. Mills, Cécile Picard-Limpens, and Todor Todoroff
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2010
- Location: Sydney, Australia
- Pages: 415–418
- Keywords: Augmented guitar, audio synthesis, digital audio effects, multimodal interaction, gestural sensing, polyphonic tran- scription, hexaphonic guitar
- DOI: 10.5281/zenodo.1177881 (Link to paper)
- PDF link
Abstract:
This project aims at studying how recent interactive and interactions technologies would help extend how we play theguitar, thus defining the "multimodal guitar". Our contributions target three main axes: audio analysis, gestural control and audio synthesis. For this purpose, we designed anddeveloped a freely-available toolbox for augmented guitarperformances, compliant with the PureData and Max/MSPenvironments, gathering tools for: polyphonic pitch estimation, fretboard visualization and grouping, pressure sensing,modal synthesis, infinite sustain, rearranging looping and "smart" harmonizing.
Citation:
Loïc Reboursière, Christian Frisson, Otso Lähdeoja, John A. Mills, Cécile Picard-Limpens, and Todor Todoroff. 2010. Multimodal Guitar : A Toolbox For Augmented Guitar Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177881BibTeX Entry:
@inproceedings{Reboursiere2010, abstract = {This project aims at studying how recent interactive and interactions technologies would help extend how we play theguitar, thus defining the "multimodal guitar". Our contributions target three main axes: audio analysis, gestural control and audio synthesis. For this purpose, we designed anddeveloped a freely-available toolbox for augmented guitarperformances, compliant with the PureData and Max/MSPenvironments, gathering tools for: polyphonic pitch estimation, fretboard visualization and grouping, pressure sensing,modal synthesis, infinite sustain, rearranging looping and "smart" harmonizing.}, address = {Sydney, Australia}, author = {Reboursi\`{e}re, Lo\"{i}c and Frisson, Christian and L\"{a}hdeoja, Otso and Mills, John A. and Picard-Limpens, C\'{e}cile and Todoroff, Todor}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1177881}, issn = {2220-4806}, keywords = {Augmented guitar, audio synthesis, digital audio effects, multimodal interaction, gestural sensing, polyphonic tran- scription, hexaphonic guitar}, pages = {415--418}, title = {Multimodal Guitar : A Toolbox For Augmented Guitar Performances}, url = {http://www.nime.org/proceedings/2010/nime2010_415.pdf}, year = {2010} }