VibeFM: Visual Exploration of FM Synthesis
Simeon Rau, Finn Tobien, and Michael Sedlmair
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2026
- Location: London, United Kingdom
- Track: paper
- Pages: 759–766
- Article Number: 90
- DOI: 10.5281/zenodo.20784275 (Link to paper and supplementary files)
- PDF Link
Abstract
We propose VibeFM, an interactive visual approach for sampling, exploring, and identifying novel synthesizer sounds using frequency modulation (FM). Our approach is based on two steps: First, we systematically sample parameter combinations to create a set of sound samples. We then provide a visual overview that shows each sample as a small visualization and orders them spatially by similarity. Our premise is that, by visualizing key audio features, one can quickly parse a large collection of samples without listening to all of them. Furthermore, the approach supports serendipitous discovery of new sounds during the creative composition process. Using VibeFM, we created a soundtrack faster than our usual estimated time and also discovered new and interesting sounds. In semi-structured interviews, one professional composer and two experienced musicians found our approach to be a convenient complement to synthesizer programming.
Citation
Simeon Rau, Finn Tobien, and Michael Sedlmair. 2026. VibeFM: Visual Exploration of FM Synthesis. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.20784275 [PDF]
BibTeX Entry
@inproceedings{nime2026_90,
abstract = {We propose VibeFM, an interactive visual approach for sampling, exploring, and identifying novel synthesizer sounds using frequency modulation (FM). Our approach is based on two steps: First, we systematically sample parameter combinations to create a set of sound samples. We then provide a visual overview that shows each sample as a small visualization and orders them spatially by similarity. Our premise is that, by visualizing key audio features, one can quickly parse a large collection of samples without listening to all of them. Furthermore, the approach supports serendipitous discovery of new sounds during the creative composition process. Using VibeFM, we created a soundtrack faster than our usual estimated time and also discovered new and interesting sounds. In semi-structured interviews, one professional composer and two experienced musicians found our approach to be a convenient complement to synthesizer programming. },
address = {London, United Kingdom},
articleno = {90},
author = {Simeon Rau and Finn Tobien and Michael Sedlmair},
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
doi = {10.5281/zenodo.20784275},
editor = {Benedict Gaster and João Tragtenberg and Anna Xambó and Tom Mitchell},
issn = {2220-4806},
month = {June},
note = {},
numpages = {8},
pages = {759--766},
title = {VibeFM: Visual Exploration of FM Synthesis},
track = {paper},
url = {http://nime.org/proceedings/2026/nime2026_90.pdf},
year = {2026}
}