Ephemerides: A Microtonal Feedback Instrument Based On Transgender Voice Training Technique

June Kuhn, and Andrew McPherson

Proceedings of the International Conference on New Interfaces for Musical Expression

Abstract

Digital musical instruments afford new opportunities in exploring experiences of 'otherness', like defamiliarisation or gender dysphoria, through more-than-human design. Transgender voice training is an emerging practice assisting in the modification of voice presentation for trans people, often grappling with this sense of otherness. We present Ephemerides, a microtonal feedback instrument based on transgender voice training technique as a product of practice-based research. This instrument does not require the use of vocal cords; the musician manipulates resonances in the vocal tract to change pitch with the help of audio feedback. Concerning this unusual way of producing voice, the instrument questions what constitutes intention, agency, and gender in singing. Designed with the intention of unpacking social stigma surrounding gender exploration in voice, we argue for a stronger role of digital instruments in challenging dominant narratives surrounding marginalised bodies through queering cultural contexts.

Citation

June Kuhn, and Andrew McPherson. 2026. Ephemerides: A Microtonal Feedback Instrument Based On Transgender Voice Training Technique. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.20784113 [PDF]

BibTeX Entry

@inproceedings{nime2026_29,
 abstract = {Digital musical instruments afford new opportunities in exploring experiences of 'otherness', like defamiliarisation or gender dysphoria, through more-than-human design. Transgender voice training is an emerging practice assisting in the modification of voice presentation for trans people, often grappling with this sense of otherness.  We present Ephemerides, a microtonal feedback instrument based on transgender voice training technique as a product of practice-based research. This instrument does not require the use of vocal cords; the musician manipulates resonances in the vocal tract to change pitch with the help of audio feedback. Concerning this unusual way of producing voice, the instrument questions what constitutes intention, agency, and gender in singing. Designed with the intention of unpacking social stigma surrounding gender exploration in voice, we argue for a stronger role of digital instruments in challenging dominant narratives surrounding marginalised bodies through queering cultural contexts. },
 address = {London, United Kingdom},
 articleno = {29},
 author = {June Kuhn and Andrew McPherson},
 booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.20784113},
 editor = {Benedict Gaster and João Tragtenberg and Anna Xambó and Tom Mitchell},
 issn = {2220-4806},
 month = {June},
 note = {},
 numpages = {9},
 pages = {248--256},
 presentation-video = {https://youtu.be/rrehxA3hMhA},
 title = {Ephemerides: A Microtonal Feedback Instrument Based On Transgender Voice Training Technique},
 track = {Paper},
 url = {http://nime.org/proceedings/2026/nime2026_29.pdf},
 urlsuppl1 = {http://nime.org/proceedings/2026/nime2026_29_file01.wav},
 year = {2026}
}