Creating a Real-Time Responsive Handbalancing Interface with HAND★CS
Linnea Kirby, Christiana Rose, Jeremy Cooperstock, and Marcelo Wanderley
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2025
- Location: Canberra, Australia
- Track: Paper
- Pages: 280–286
- Article Number: 39
- DOI: 10.5281/zenodo.15699614 (Link to paper and supplementary files)
- PDF Link
- Video
Abstract
This paper introduces HAND★CS, a new interface for interdisciplinary expression for music, movement, and light. Our interface augments a pedagogical interface for hand-balancing, Haptics-Assisted iNversions Device (HAND), and transforms it into one for artistic expression. It draws upon Licklider’s concept of man-computer symbiosis, specifically the commensalism form of symbiosis. HAND★CS strives to embody a performance apparatus and system with symbiotic connectivity between performer and interface. This paper discusses the inspiration and background for such a system pulling from the fields of human-computer interaction (HCI), music technology and new interfaces for musical expression (NIME), and circus arts. In addition, it defines the design and implementation, evaluation of the prototype of HAND★CS, and future work.
Citation
Linnea Kirby, Christiana Rose, Jeremy Cooperstock, and Marcelo Wanderley. 2025. Creating a Real-Time Responsive Handbalancing Interface with HAND★CS. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.15699614 [PDF]
BibTeX Entry
@article{nime2025_39, abstract = {This paper introduces HAND★CS, a new interface for interdisciplinary expression for music, movement, and light. Our interface augments a pedagogical interface for hand-balancing, Haptics-Assisted iNversions Device (HAND), and transforms it into one for artistic expression. It draws upon Licklider’s concept of man-computer symbiosis, specifically the commensalism form of symbiosis. HAND★CS strives to embody a performance apparatus and system with symbiotic connectivity between performer and interface. This paper discusses the inspiration and background for such a system pulling from the fields of human-computer interaction (HCI), music technology and new interfaces for musical expression (NIME), and circus arts. In addition, it defines the design and implementation, evaluation of the prototype of HAND★CS, and future work.}, address = {Canberra, Australia}, articleno = {39}, author = {Linnea Kirby and Christiana Rose and Jeremy Cooperstock and Marcelo Wanderley}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.15699614}, editor = {Doga Cavdir and Florent Berthaut}, issn = {2220-4806}, month = {June}, numpages = {7}, pages = {280--286}, presentation-video = {https://youtu.be/ePlOPTdzB7A}, title = {Creating a Real-Time Responsive Handbalancing Interface with HAND★CS}, track = {Paper}, url = {http://nime.org/proceedings/2025/nime2025_39.pdf}, year = {2025} }