Turntable-Based Electronic Music and Embodied Audience Interaction
Tak Cheung Hui, Xiaoqiao Li, and Yu Chia Kuo
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2025
- Location: Canberra, Australia
- Track: Paper
- Pages: 121–125
- Article Number: 17
- DOI: 10.5281/zenodo.15699598 (Link to paper and supplementary files)
- PDF Link
Abstract
Rings… Through Rings transforms archival maps of Hong Kong’s military fortifications into playable surfaces for turntable-based electronic music. Laser-etched discs encode cartographic data, producing sonic textures manipulated through turntables and enhanced by audio techniques like cross-synthesis, concatenative synthesis, and spatialization. Grounded in theories of transcoding, productive agency, and participatory culture, the project reimagines the turntable as a cultural interface, bridging analog heritage with computational sound. This hybrid system blends pre-composed musical structures with real-time audience interaction, allowing participants to alter playback, swap discs, and influence spatial audio. By merging cartography, sound, and participatory design, the work offers a collaborative, multisensory approach to intangible heritage. Future developments include expanded spatial configurations, real-time disc fabrication, and AI integration to deepen engagement and cultural reinterpretation.
Citation
Tak Cheung Hui, Xiaoqiao Li, and Yu Chia Kuo. 2025. Turntable-Based Electronic Music and Embodied Audience Interaction. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.15699598 [PDF]
BibTeX Entry
@article{nime2025_17, abstract = {Rings… Through Rings transforms archival maps of Hong Kong’s military fortifications into playable surfaces for turntable-based electronic music. Laser-etched discs encode cartographic data, producing sonic textures manipulated through turntables and enhanced by audio techniques like cross-synthesis, concatenative synthesis, and spatialization. Grounded in theories of transcoding, productive agency, and participatory culture, the project reimagines the turntable as a cultural interface, bridging analog heritage with computational sound. This hybrid system blends pre-composed musical structures with real-time audience interaction, allowing participants to alter playback, swap discs, and influence spatial audio. By merging cartography, sound, and participatory design, the work offers a collaborative, multisensory approach to intangible heritage. Future developments include expanded spatial configurations, real-time disc fabrication, and AI integration to deepen engagement and cultural reinterpretation.}, address = {Canberra, Australia}, articleno = {17}, author = {Tak Cheung Hui and Xiaoqiao Li and Yu Chia Kuo}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.15699598}, editor = {Doga Cavdir and Florent Berthaut}, issn = {2220-4806}, month = {June}, numpages = {5}, pages = {121--125}, title = {Turntable-Based Electronic Music and Embodied Audience Interaction}, track = {Paper}, url = {http://nime.org/proceedings/2025/nime2025_17.pdf}, year = {2025} }