“WYPYM”: A Study for Feedback-Augmented Bass Clarinet
Claudio Panariello, and Chiara Percivati
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2023
- Location: Mexico City, Mexico
- Track: Papers
- Pages: 174–179
- Article Number: 24
- DOI: 10.5281/zenodo.11189146 (Link to paper and supplementary files)
- PDF Link
Abstract
This paper explores the concept of co-creativity in a performance for feedback-augmented bass clarinet. The bass clarinet is augmented using a loudspeaker placed on the bell and a supercardiod microphone placed inside the instrument's body, allowing for the generation of feedback that is subsequently processed by a computational system to create new sound material. This feedback loop creates a symbiotic relationship between the performer and the electronics, resulting in the co-creation of the final piece, with the performer and the electronics influencing each other. The result is a unique and ever-evolving musical experience that poses interesting challenges to the traditional instrument--electronics and composer--opera relationship. This paper reports on both the hardware and software augmentation of the bass clarinet, and presents "WYPYM - Were you a part of your mother?", a piece written especially for this augmented instrument and its feedback system.
Citation
Claudio Panariello, and Chiara Percivati. 2023. “WYPYM”: A Study for Feedback-Augmented Bass Clarinet. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.11189146
BibTeX Entry
@inproceedings{nime2023_24,
abstract = {This paper explores the concept of co-creativity in a performance for feedback-augmented bass clarinet. The bass clarinet is augmented using a loudspeaker placed on the bell and a supercardiod microphone placed inside the instrument's body, allowing for the generation of feedback that is subsequently processed by a computational system to create new sound material. This feedback loop creates a symbiotic relationship between the performer and the electronics, resulting in the co-creation of the final piece, with the performer and the electronics influencing each other. The result is a unique and ever-evolving musical experience that poses interesting challenges to the traditional instrument--electronics and composer--opera relationship. This paper reports on both the hardware and software augmentation of the bass clarinet, and presents "WYPYM - Were you a part of your mother?", a piece written especially for this augmented instrument and its feedback system.},
address = {Mexico City, Mexico},
articleno = {24},
author = {Claudio Panariello and Chiara Percivati},
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
doi = {10.5281/zenodo.11189146},
editor = {Miguel Ortiz and Adnan Marquez-Borbon},
issn = {2220-4806},
month = {May},
numpages = {6},
pages = {174--179},
title = {“WYPYM”: A Study for Feedback-Augmented Bass Clarinet},
track = {Papers},
url = {http://nime.org/proceedings/2023/nime2023_24.pdf},
year = {2023}
}