Multimodal Guitar : A Toolbox For Augmented Guitar Performances
Loïc Reboursière, Christian Frisson, Otso Lähdeoja, John A. Mills, Cécile Picard-Limpens, and Todor Todoroff
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2010
- Location: Sydney, Australia
- Pages: 415–418
- Keywords: Augmented guitar, audio synthesis, digital audio effects, multimodal interaction, gestural sensing, polyphonic tran- scription, hexaphonic guitar
- DOI: 10.5281/zenodo.1177881 (Link to paper and supplementary files)
- PDF Link
Abstract
This project aims at studying how recent interactive and interactions technologies would help extend how we play theguitar, thus defining the "multimodal guitar". Our contributions target three main axes: audio analysis, gestural control and audio synthesis. For this purpose, we designed anddeveloped a freely-available toolbox for augmented guitarperformances, compliant with the PureData and Max/MSPenvironments, gathering tools for: polyphonic pitch estimation, fretboard visualization and grouping, pressure sensing,modal synthesis, infinite sustain, rearranging looping and "smart" harmonizing.
Citation
Loïc Reboursière, Christian Frisson, Otso Lähdeoja, John A. Mills, Cécile Picard-Limpens, and Todor Todoroff. 2010. Multimodal Guitar : A Toolbox For Augmented Guitar Performances. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177881 [PDF]
BibTeX Entry
@inproceedings{nime2010_Reboursiere,
author = {Reboursière, Loïc and Frisson, Christian and Lähdeoja, Otso and Mills, John A. and Picard-Limpens, Cécile and Todoroff, Todor},
title = {Multimodal Guitar : A Toolbox For Augmented Guitar Performances},
pages = {415--418},
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
year = {2010},
address = {Sydney, Australia},
issn = {2220-4806},
doi = {10.5281/zenodo.1177881},
url = {https://nime.org/proceedings/2010/nime2010_415.pdf},
keywords = {Augmented guitar, audio synthesis, digital audio effects, multimodal interaction, gestural sensing, polyphonic tran- scription, hexaphonic guitar},
abstract = {This project aims at studying how recent interactive and interactions technologies would help extend how we play theguitar, thus defining the "multimodal guitar". Our contributions target three main axes: audio analysis, gestural control and audio synthesis. For this purpose, we designed anddeveloped a freely-available toolbox for augmented guitarperformances, compliant with the PureData and Max/MSPenvironments, gathering tools for: polyphonic pitch estimation, fretboard visualization and grouping, pressure sensing,modal synthesis, infinite sustain, rearranging looping and "smart" harmonizing.}
}