On Making and Playing an Electronically-augmented Saxophone
Sébastien Schiesser, and Caroline Traube
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2006
- Location: Paris, France
- Pages: 308–313
- Keywords: saxophone, augmented instrument, live electronics, perfor- mance, gestural control
- DOI: 10.5281/zenodo.1177001 (Link to paper and supplementary files)
- PDF Link
Abstract
A low-tech electronically-augmented saxophone has been developed with a modular palette of sensors and their corresponding control interfaces. This paper describes the modules and proposes mapping strategies derived from a reflection on the various uses of live-electronics and an analysis of the functions of gestures applied to the saxophone. It also discusses the functional mutation of the performer’s gesture induced by the electronic augmentation of an acoustic instrument.
Citation
Sébastien Schiesser, and Caroline Traube. 2006. On Making and Playing an Electronically-augmented Saxophone. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177001 [PDF]
BibTeX Entry
@inproceedings{nime2006_Schiesser,
author = {Schiesser, Sébastien and Traube, Caroline},
title = {On Making and Playing an Electronically-augmented Saxophone},
pages = {308--313},
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
year = {2006},
address = {Paris, France},
issn = {2220-4806},
doi = {10.5281/zenodo.1177001},
url = {https://nime.org/proceedings/2006/nime2006_308.pdf},
keywords = {saxophone, augmented instrument, live electronics, perfor- mance, gestural control },
abstract = {A low-tech electronically-augmented saxophone has been developed with a modular palette of sensors and their corresponding control interfaces. This paper describes the modules and proposes mapping strategies derived from a reflection on the various uses of live-electronics and an analysis of the functions of gestures applied to the saxophone. It also discusses the functional mutation of the performer’s gesture induced by the electronic augmentation of an acoustic instrument.}
}