Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts

Yoichi Nagashima

Proceedings of the International Conference on New Interfaces for Musical Expression

Abstract:

This is a report of research and some experimental applications of human-computer interaction in multi-media performing arts. The human performer and the computer systems perform computer graphic and computer music interactively in real-time. In general, many sensors are used for the interactive communication as interfaces, and the performer receives the output of the system via graphics, sounds and physical reactions of interfaces like musical instruments. I have produced many types of interfaces, not only with physical/electrical sensors but also with biological/physiological sensors. This paper is intended as an investigation of some special approaches: (1) 16-channel electromyogram sensor called “MiniBioMuse-III” and its application work called “BioCosmicStorm-II” performed in Paris, Kassel and Hamburg in 2001, (2) sensing/reacting with “breathing” in performing arts, (3) 8-channel electric-feedback system and its experiments of “body-hearing sounds” and “body-listening to music”.

Citation:

Yoichi Nagashima. 2003. Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176539

BibTeX Entry:

  @inproceedings{Nagashima2003,
 abstract = {This is a report of research and some experimental applications of human-computer interaction in multi-media performing arts. The human performer and the computer systems perform computer graphic and computer music interactively in real-time. In general, many sensors are used for the interactive communication as interfaces, and the performer receives the output of the system via graphics, sounds and physical reactions of interfaces like musical instruments. I have produced many types of interfaces, not only with physical/electrical sensors but also with biological/physiological sensors. This paper is intended as an investigation of some special approaches: (1) 16-channel electromyogram sensor called “MiniBioMuse-III” and its application work called “BioCosmicStorm-II” performed in Paris, Kassel and Hamburg in 2001, (2) sensing/reacting with “breathing” in performing arts, (3) 8-channel electric-feedback system and its experiments of “body-hearing sounds” and “body-listening to music”.},
 address = {Montreal, Canada},
 author = {Nagashima, Yoichi},
 booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 date = {22-24 May, 2003},
 doi = {10.5281/zenodo.1176539},
 issn = {2220-4806},
 pages = {48--53},
 title = {Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media Arts},
 url = {http://www.nime.org/proceedings/2003/nime2003_048.pdf},
 year = {2003}
}