Dynamic Patches for Live Musical Performance
Martin Kaltenbrunner, Günter Geiger, and Sergi Jordà
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2004
- Location: Hamamatsu, Japan
- Pages: 19–22
- Keywords: dynamic patching,musical instrument,sound synthesis,tangible interfaces,visual programming
- DOI: 10.5281/zenodo.1176621 (Link to paper)
- PDF link
Abstract:
This article reflects the current state of the reacTable* project,an electronic music instrument with a tangible table-basedinterface, which is currently under development at theAudiovisual Institute at the Universitat Pompeu Fabra. In thispaper we are focussing on the issue of Dynamic Patching,which is a particular and unique aspect of the sound synthesisand control paradigms of the reacTable*. Unlike commonvisual programming languages for sound synthesis, whichconceptually separate the patch building process from theactual musical performance, the reacTable* combines theconstruction and playing of the instrument in a unique way.The tangible interface allows direct manipulation control overany of the used building blocks, which physically representthe whole synthesizer function.
Citation:
Martin Kaltenbrunner, Günter Geiger, and Sergi Jordà. 2004. Dynamic Patches for Live Musical Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176621BibTeX Entry:
@inproceedings{Kaltenbrunner2004, abstract = {This article reflects the current state of the reacTable* project,an electronic music instrument with a tangible table-basedinterface, which is currently under development at theAudiovisual Institute at the Universitat Pompeu Fabra. In thispaper we are focussing on the issue of Dynamic Patching,which is a particular and unique aspect of the sound synthesisand control paradigms of the reacTable*. Unlike commonvisual programming languages for sound synthesis, whichconceptually separate the patch building process from theactual musical performance, the reacTable* combines theconstruction and playing of the instrument in a unique way.The tangible interface allows direct manipulation control overany of the used building blocks, which physically representthe whole synthesizer function.}, address = {Hamamatsu, Japan}, author = {Kaltenbrunner, Martin and Geiger, G\''{u}nter and Jord\`{a}, Sergi}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1176621}, issn = {2220-4806}, keywords = {dynamic patching,musical instrument,sound synthesis,tangible interfaces,visual programming}, pages = {19--22}, title = {Dynamic Patches for Live Musical Performance}, url = {http://www.nime.org/proceedings/2004/nime2004_019.pdf}, year = {2004} }