Interactive Lighting in the Pearl: Considerations and Implementation
Ian Hattwick, and Marcelo Wanderley
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2015
- Location: Baton Rouge, Louisiana, USA
- Pages: 201–204
- DOI: 10.5281/zenodo.1179080 (Link to paper)
- PDF link
Abstract:
The Pearl is a multi-modal computer interface initially conceived as an interactive prop for a multi-artistic theatrical performance. It is a spherical hand-held wireless controller embedded with various sensor technologies and interactive lighting. The lighting was a key conceptual component in the instrument's creation both as a theatrical prop and also as an interface for musical performance as it helps to address conceptual challenges and opportunities posed by the instrument's spherical form. This paper begins by providing a brief description of the Pearl and its use as a spherical instrument. We then discuss mapping the Pearl both to generate sound and control its interactive lighting, and identify different strategies for its use. Strategies we identify include feedback regarding performer gesture, information about the state of the instrument, and use as an aesthetic performance component.
Citation:
Ian Hattwick, and Marcelo Wanderley. 2015. Interactive Lighting in the Pearl: Considerations and Implementation. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179080BibTeX Entry:
@inproceedings{ihattwick2015, abstract = {The Pearl is a multi-modal computer interface initially conceived as an interactive prop for a multi-artistic theatrical performance. It is a spherical hand-held wireless controller embedded with various sensor technologies and interactive lighting. The lighting was a key conceptual component in the instrument's creation both as a theatrical prop and also as an interface for musical performance as it helps to address conceptual challenges and opportunities posed by the instrument's spherical form. This paper begins by providing a brief description of the Pearl and its use as a spherical instrument. We then discuss mapping the Pearl both to generate sound and control its interactive lighting, and identify different strategies for its use. Strategies we identify include feedback regarding performer gesture, information about the state of the instrument, and use as an aesthetic performance component. }, address = {Baton Rouge, Louisiana, USA}, author = {Ian Hattwick and Marcelo Wanderley}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1179080}, editor = {Edgar Berdahl and Jesse Allison}, issn = {2220-4806}, month = {May}, pages = {201--204}, publisher = {Louisiana State University}, title = {Interactive Lighting in the Pearl: Considerations and Implementation}, url = {http://www.nime.org/proceedings/2015/nime2015_302.pdf}, year = {2015} }