Where Did It All Go Wrong ? A Model of Error From the Spectator's Perspective

A. Cavan Fyans, Michael Gurevich, and Paul Stapleton

Proceedings of the International Conference on New Interfaces for Musical Expression

Abstract

The development of new interfaces for musical expressionhas created a need to study how spectators comprehend newperformance technologies and practices. As part of a largerproject examining how interactions with technology can becommunicated with the spectator, we relate our model ofspectator understanding of error to the NIME discourse surrounding transparency, mapping, skill and success.

Citation

A. Cavan Fyans, Michael Gurevich, and Paul Stapleton. 2009. Where Did It All Go Wrong ? A Model of Error From the Spectator's Perspective. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177519

BibTeX Entry

@inproceedings{Fyans2009,
 abstract = {The development of new interfaces for musical expressionhas created a need to study how spectators comprehend newperformance technologies and practices. As part of a largerproject examining how interactions with technology can becommunicated with the spectator, we relate our model ofspectator understanding of error to the NIME discourse surrounding transparency, mapping, skill and success.},
 address = {Pittsburgh, PA, United States},
 author = {Fyans, A. Cavan and Gurevich, Michael and Stapleton, Paul},
 booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.1177519},
 issn = {2220-4806},
 keywords = {performance, skill, transparency, design, HCI },
 pages = {171--172},
 title = {Where Did It All Go Wrong ? A Model of Error From the Spectator's Perspective},
 url = {http://www.nime.org/proceedings/2009/nime2009_171.pdf},
 year = {2009}
}