Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response
Sam Ferguson, Emery Schubert, and Catherine Stevens
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2010
- Location: Sydney, Australia
- Pages: 481–484
- Keywords: Dance, Emotion, Motion Capture, Continuous Response.
- DOI: 10.5281/zenodo.1177767 (Link to paper)
- PDF link
Abstract:
In this paper, we describe a comparison between parameters drawn from 3-dimensional measurement of a dance performance, and continuous emotional response data recorded from an audience present during this performance. A continuous time series representing the mean movement as the dance unfolds is extracted from the 3-dimensional data. The audiences' continuous emotional response data are also represented as a time series, and the series are compared. We concluded that movement in the dance performance directly influences the emotional arousal response of the audience.
Citation:
Sam Ferguson, Emery Schubert, and Catherine Stevens. 2010. Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1177767BibTeX Entry:
@inproceedings{Ferguson2010, abstract = {In this paper, we describe a comparison between parameters drawn from 3-dimensional measurement of a dance performance, and continuous emotional response data recorded from an audience present during this performance. A continuous time series representing the mean movement as the dance unfolds is extracted from the 3-dimensional data. The audiences' continuous emotional response data are also represented as a time series, and the series are compared. We concluded that movement in the dance performance directly influences the emotional arousal response of the audience. }, address = {Sydney, Australia}, author = {Ferguson, Sam and Schubert, Emery and Stevens, Catherine}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1177767}, issn = {2220-4806}, keywords = {Dance, Emotion, Motion Capture, Continuous Response.}, pages = {481--484}, title = {Movement in a Contemporary Dance Work and its Relation to Continuous Emotional Response}, url = {http://www.nime.org/proceedings/2010/nime2010_481.pdf}, year = {2010} }