The E in NIME: Musical Expression with New Computer Interfaces
Christopher Dobrian, and Daniel Koppelman
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2006
- Location: Paris, France
- Pages: 277–282
- Keywords: Expression, instrument design, performance, virtuosity.
- DOI: 10.5281/zenodo.1176893 (Link to paper)
- PDF link
Abstract:
Is there a distinction between New Interfaces for MusicalExpression and New Interfaces for Controlling Sound? Thisarticle begins with a brief overview of expression in musicalperformance, and examines some of the characteristics ofeffective "expressive" computer music instruments. Itbecomes apparent that sophisticated musical expressionrequires not only a good control interface but also virtuosicmastery of the instrument it controls. By studying effectiveacoustic instruments, choosing intuitive but complexgesture-sound mappings that take advantage of establishedinstrumental skills, designing intelligent characterizationsof performance gestures, and promoting long-term dedicatedpractice on a new interface, computer music instrumentdesigners can enhance the expressive quality of computermusic performance.
Citation:
Christopher Dobrian, and Daniel Koppelman. 2006. The E in NIME: Musical Expression with New Computer Interfaces. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1176893BibTeX Entry:
@inproceedings{Dobrian2006, abstract = {Is there a distinction between New Interfaces for MusicalExpression and New Interfaces for Controlling Sound? Thisarticle begins with a brief overview of expression in musicalperformance, and examines some of the characteristics ofeffective "expressive" computer music instruments. Itbecomes apparent that sophisticated musical expressionrequires not only a good control interface but also virtuosicmastery of the instrument it controls. By studying effectiveacoustic instruments, choosing intuitive but complexgesture-sound mappings that take advantage of establishedinstrumental skills, designing intelligent characterizationsof performance gestures, and promoting long-term dedicatedpractice on a new interface, computer music instrumentdesigners can enhance the expressive quality of computermusic performance.}, address = {Paris, France}, author = {Dobrian, Christopher and Koppelman, Daniel}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1176893}, issn = {2220-4806}, keywords = {Expression, instrument design, performance, virtuosity. }, pages = {277--282}, title = {The E in NIME: Musical Expression with New Computer Interfaces}, url = {http://www.nime.org/proceedings/2006/nime2006_277.pdf}, year = {2006} }