Experimental Controllers for Live Electronic Music Performance (vs. Copyright).

David Bernard

Proceedings of the International Conference on New Interfaces for Musical Expression

• Year: 2002
• Location: Dublin, Ireland
• Pages: 10–11
• Keywords: Live electronic music, experimental instruments, MIDI controllers, audio-visual synchronisation, copyright, SKINS digital hand drum.
• DOI: 10.5281/zenodo.1176392 (Link to paper)
• PDF link

Abstract:

This paper describes the design and development of several musical instruments and MIDI controllers built byDavid Bernard (as part of The Sound Surgery project:www.thesoundsurgery.co.uk) and used in club performances around Glasgow during 1995-2002. It argues that changing technologies and copyright are shifting ourunderstanding of music from "live art" to "recorded medium" whilst blurring the boundaries between sound and visual production.

Citation:

BibTeX Entry:

  @inproceedings{Bernard2002,
 abstract = {This paper describes the design and development of several musical instruments and MIDI controllers built byDavid Bernard (as part of The Sound Surgery project:www.thesoundsurgery.co.uk) and used in club performances around Glasgow during 1995-2002. It argues that changing technologies and copyright are shifting ourunderstanding of music from "live art" to "recorded medium" whilst blurring the boundaries between sound and visual production.},
 address = {Dublin, Ireland},
 author = {Bernard, David},
 booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 date = {24-26 May, 2002},
 doi = {10.5281/zenodo.1176392},
 issn = {2220-4806},
 keywords = {Live electronic music, experimental instruments, MIDI controllers, audio-visual synchronisation, copyright, SKINS digital hand drum.},
 pages = {10--11},
 title = {Experimental Controllers for Live Electronic Music Performance (vs. Copyright).},
 url = {http://www.nime.org/proceedings/2002/nime2002_010.pdf},
 year = {2002}
}