The GRIP MAESTRO : Idiomatic Mappings of Emotive Gestures for Control of Live Electroacoustic Music

Michael Berger

Proceedings of the International Conference on New Interfaces for Musical Expression

• Year: 2010
• Location: Sydney, Australia
• Pages: 419–422
• Keywords: emotive gesture and music,hall effect,human-controller interaction,musical mapping strategies,nime10,novel musical instrument,passive haptic feedback,sensor-augmented hand-exerciser
• DOI: 10.5281/zenodo.1177719 (Link to paper)
• PDF link

Abstract:

This paper introduces my research in physical interactive design with my "GRIP MAESTRO" electroacoustic performance interface. It then discusses the considerations involved in creating intuitive software mappings of emotive performative gestures such that they are idiomatic not only of the sounds they create but also of the physical nature of the interface itself.

Citation:

BibTeX Entry:

  @inproceedings{Berger2010,
 abstract = {This paper introduces my research in physical interactive design with my "GRIP MAESTRO" electroacoustic performance interface. It then discusses the considerations involved in creating intuitive software mappings of emotive performative gestures such that they are idiomatic not only of the sounds they create but also of the physical nature of the interface itself. },
 address = {Sydney, Australia},
 author = {Berger, Michael},
 booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.1177719},
 issn = {2220-4806},
 keywords = {emotive gesture and music,hall effect,human-controller interaction,musical mapping strategies,nime10,novel musical instrument,passive haptic feedback,sensor-augmented hand-exerciser},
 pages = {419--422},
 title = {The GRIP MAESTRO : Idiomatic Mappings of Emotive Gestures for Control of Live Electroacoustic Music},
 url = {http://www.nime.org/proceedings/2010/nime2010_419.pdf},
 year = {2010}
}