The Phone with the Flow: Combining Touch + Optical Flow in Mobile Instruments
Cagan Arslan, Florent Berthaut, Jean Martinet, Ioan Marius Bilasco, and Laurent Grisoni
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2018
- Location: Blacksburg, Virginia, USA
- Pages: 148–151
- DOI: 10.5281/zenodo.1302709 (Link to paper)
- PDF link
Abstract:
Mobile devices have been a promising platform for musical performance thanks to the various sensors readily available on board. In particular, mobile cameras can provide rich input as they can capture a wide variety of user gestures or environment dynamics. However, this raw camera input only provides continuous parameters and requires expensive computation. In this paper, we propose to combine motion/gesture input with the touch input, in order to filter movement information both temporally and spatially, thus increasing expressiveness while reducing computation time. We present a design space which demonstrates the diversity of interactions that our technique enables. We also report the results of a user study in which we observe how musicians appropriate the interaction space with an example instrument.
Citation:
Cagan Arslan, Florent Berthaut, Jean Martinet, Ioan Marius Bilasco, and Laurent Grisoni. 2018. The Phone with the Flow: Combining Touch + Optical Flow in Mobile Instruments. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1302709BibTeX Entry:
@inproceedings{Arslan2018, abstract = {Mobile devices have been a promising platform for musical performance thanks to the various sensors readily available on board. In particular, mobile cameras can provide rich input as they can capture a wide variety of user gestures or environment dynamics. However, this raw camera input only provides continuous parameters and requires expensive computation. In this paper, we propose to combine motion/gesture input with the touch input, in order to filter movement information both temporally and spatially, thus increasing expressiveness while reducing computation time. We present a design space which demonstrates the diversity of interactions that our technique enables. We also report the results of a user study in which we observe how musicians appropriate the interaction space with an example instrument.}, address = {Blacksburg, Virginia, USA}, author = {Cagan Arslan and Florent Berthaut and Jean Martinet and Ioan Marius Bilasco and Laurent Grisoni}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1302709}, editor = {Luke Dahl, Douglas Bowman, Thomas Martin}, isbn = {978-1-949373-99-8}, issn = {2220-4806}, month = {June}, pages = {148--151}, publisher = {Virginia Tech}, title = {The Phone with the Flow: Combining Touch + Optical Flow in Mobile Instruments}, url = {http://www.nime.org/proceedings/2018/nime2018_paper0032.pdf}, year = {2018} }