Microinteraction in Music/Dance Performance

Alexander Refsum Jensenius

Proceedings of the International Conference on New Interfaces for Musical Expression

Abstract:

This paper presents the scientific-artistic project Sverm, which has focused on the use of micromotion and microsound in artistic practice. Starting from standing still in silence, the artists involved have developed conceptual and experiential knowledge of microactions, microsounds and the possibilities of microinteracting with light and sound.

Citation:

Alexander Refsum Jensenius. 2015. Microinteraction in Music/Dance Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179100

BibTeX Entry:

  @inproceedings{ajensenius2015,
 abstract = {This paper presents the scientific-artistic project Sverm, which has focused on the use of micromotion and microsound in artistic practice. Starting from standing still in silence, the artists involved have developed conceptual and experiential knowledge of microactions, microsounds and the possibilities of microinteracting with light and sound.},
 address = {Baton Rouge, Louisiana, USA},
 author = {Jensenius, Alexander Refsum},
 booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 doi = {10.5281/zenodo.1179100},
 editor = {Edgar Berdahl and Jesse Allison},
 issn = {2220-4806},
 month = {May},
 pages = {16--19},
 publisher = {Louisiana State University},
 title = {Microinteraction in Music/Dance Performance},
 url = {http://www.nime.org/proceedings/2015/nime2015_178.pdf},
 year = {2015}
}