Microinteraction in Music/Dance Performance
Alexander Refsum Jensenius
Proceedings of the International Conference on New Interfaces for Musical Expression
- Year: 2015
- Location: Baton Rouge, Louisiana, USA
- Pages: 16–19
- DOI: 10.5281/zenodo.1179100 (Link to paper)
- PDF link
Abstract
This paper presents the scientific-artistic project Sverm, which has focused on the use of micromotion and microsound in artistic practice. Starting from standing still in silence, the artists involved have developed conceptual and experiential knowledge of microactions, microsounds and the possibilities of microinteracting with light and sound.
Citation
Alexander Refsum Jensenius. 2015. Microinteraction in Music/Dance Performance. Proceedings of the International Conference on New Interfaces for Musical Expression. DOI: 10.5281/zenodo.1179100
BibTeX Entry
@inproceedings{ajensenius2015, abstract = {This paper presents the scientific-artistic project Sverm, which has focused on the use of micromotion and microsound in artistic practice. Starting from standing still in silence, the artists involved have developed conceptual and experiential knowledge of microactions, microsounds and the possibilities of microinteracting with light and sound.}, address = {Baton Rouge, Louisiana, USA}, author = {Jensenius, Alexander Refsum}, booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, doi = {10.5281/zenodo.1179100}, editor = {Edgar Berdahl and Jesse Allison}, issn = {2220-4806}, month = {May}, pages = {16--19}, publisher = {Louisiana State University}, title = {Microinteraction in Music/Dance Performance}, url = {http://www.nime.org/proceedings/2015/nime2015_178.pdf}, year = {2015} }